Tag Archive: bob dylan


Part of an irregular series of bite-sized posts about 7″ singles I own – shameless nostalgia from the days of vinyl. (Search ‘Backtracking’ to collect the set!)

DONOVAN – Universal Soldier (Pye Records EP, 1965)

 Soft-voiced beat poet Donovan was Britain’s answer to Bob Dylan although when a meeting between the two artists was filmed for D.A. Pennebaker’s documentary Don’t Look Back , he looked like a goofy schoolboy beside Dylan’s mature wit and worldly wisdom.

The one original song by him on this EP, The Ballad of a Crystal Man, features Dan who fought in Vietnam, a crass rhyme that sounds doubly weak when compared to Dylan’s acerbic Masters of War written two years earlier. It’s a neat tune for all that and one of four with an anti-war theme to add to the late sixties resistance to America’s foreign policy.

The title song is a  Buffy Sainte-Marie cover, which she said  is “about individual responsibility for war and how the old feudal thinking kills us all”.  

Versions of songs by figureheads of the British folk scene continue on much the same  theme – “Do You Hear Me Now” (Bert Jansch) and “The War Drags On” (Mick Softley).

On the back sleeve, Donovan’s  free-form ‘poem’ of  his “dream of freedom” is proof that LSD, along with moral outrage, had reached the UK:    “I’ve never seen a jerking man touch a flower / Never seen a fast man dig the slowness / Never seen the dream-end of the ridiculous state the world is in / Never seen anger in Joanny when the hate-words of confused minds lap their shores”.

Groovy.

Part of an irregular series of bite-sized posts about 7″ singles I own – shameless nostalgia from the days of vinyl. (Search ‘Backtracking’ to collect the set!)

JOAN BAEZ – One I Had A Sweetheart (Fontana EP, 1963)

As I was just 5 years old when this record was released so I obviously didn’t buy it myself. I grabbed it off my elder brother when he was having a clear out.

The quality of the disc is pretty bad , a couple of scratches and major surface noise but this adds character.  The sleeve notes are by an anonymous Vanguard Recordings scribe who waxes lyrical about the healing power of folk music. Quoting Shakespeare he (she?) gushes: “Perhaps we turn to folk music because we feel too ‘cabin’d, cribbed, confined’ by the standards of our world, where to be cool is to be wise, and to avoid complications (such as other peoples’s troubles) is the road to suburbia and its house so fine, a world where love is a sometime thing and the voice of the turtle-dove is hushed in the shadow of the mushroom cloud”.

Joan Baez is praised for her ability to draw emotional depth from our “shared fund of experience” which in the case of this disc consists of renditions of four traditional songs. Two feature dead lovers, one is about a dead dog and one is about being spurned by a cad.

From the brief flurry of applause, the title track was recorded live somewhere though nothing on the sleeve indicates when and where. “One I had a sweetheart and now I have none” is the self explanatory message of this song.

The Trees They Do Grow High is about an arranged marriage between a 24-year-old woman and a boy half her age. It’s in the form of a dialogue with her dad, understandably pissed off about the situation. She comes to terms with it because he is the handsome son of a Lord. She reflects philosophically that  and  “he’s young but he daily grows”. The boy/man  fathers a child and then promptly dies at the age of 16. Life can be cruel.

Wildwood Flower is a song made popular by The Carter Family whose version is far superior.

Old Blue is about a faithful dog who ups and dies. The singer hopes to be reunited with him in heaven.

On the songs Joan Baez accompanies herself on acoustic guitar and sings in her plaintive, lovelorn fashion. It’s a screechy love it or hate it  style that contemporary female artists like Marissa Nadler and Josephine Foster have adopted as their own.

LAST.FM LOVED TRACKS

I have has a Last.Fm account since 12th November 2004 and been a subscriber since April 2006.
At one time I never used the ‘Loved tracks’ feature but recently I’ve started clicking more regularly.

The recent selection shows Bob Dylan is still a dominant force with one original and two covers. I’ve also been listening a lot to Jeff Buckley having belatedly bought the legacy edition of Grace.

The Calexico and Charalambides tracks are long standing favourites and I don’t know why it has taken me so long to officially love them.

This is the list with links to Last.Fm track pages.
I Hate The Beach – Psychedelic Horseshit
The Cause Of Labour Is The Hope Of The World – Jóhann Jóhannsson
Lilac Wine – Jeff Buckley
Mama, You Been On My Mind – Jeff Buckley
North of Me (At Midday) – Fabio Orsi
Crystal Frontier – Calexico
Masters Of War – Bob Dylan
Dormant Love – Charalambides
Shelter From The Storm – Steve Adey
5 A.M.(tears below the freezing point) – Shugo Tokumaru

[p.s. If you use Last.Fm and like this blog, join the Animal My Soul group to show YOUR love]. 


NO DIRECTION DINOSAURS

I don’t really see the point of the Rolling Stones’  ‘Shine A Light’.  Employing the prestigious talents of Martin Scorsese you would expect something more than just a slickly produced concert movie . But that is essentially all you get. There a few snippets of old interviews but these seem like an afterthought rather than integral to the movie and provide little insight into what has kept the band going all thse decades. Continue reading →

KISSING THE CONTEMPORARY BLISS

Like many, I first came across the name of Dredd Foole in David Keenan’s cover feature article in the August 2003 ‘Wire’ magazine about the Brattleboro Free Folk Festival. Foole’s album ‘Quest of Tense’ was cited as a major influence on artists like Matt ‘MV’ Valentine and Sunburned Hand of the Man so helped to give birth to the New Weird America scene.
Foole, real name Dan Ireton, is now 58 years old but it’s good to know that the fire in the soul that burned for ‘Quest of Time’ is still aflame for his latest release on Family Vineyard records – a magnificent double album entitled ‘Kissing the contemporary bliss’ remastered from a limited edition release on MV’s Child of Microtones label in 2005.
The album demonstrates that the mind over matter ethos, much vaunted during the recent Olympic games, also applies to creative arts. To do what Dan Ireton has been doing for over three decades demands stubborn intransigence and unwavering self belief.
Above all, there is a wilful disregard of trends at work here. This is music far removed from the dictates of fashion or passing fads. What you hear is the paradox of sounds which are disjointed and chaotic yet at the same time miraculously coherent. Take for example his deconstruction of ‘Girl From The North Country’ where one of Dylan’s simplest songs becomes fragmented and is thrillingly reinvented by Foole.
It’s hard not to think of Tim Buckley as you listen to his vocal gymnastics because Foole has the same way abandoning the idea that songs need to be direct and tightly structured to work. Instead the tracks follow an internal logic of their own which only works because the performers inhabit the pieces, you can’t imagine any two versions of the songs here being alike. There is the invigorating quality of capturing something immediate and unique. Like Buckley, improvisation and spontaneity comes to play a key role in the emotional expressiveness of the singing, the voice serving as an instrument to communicate raw feelings not abstract ideas.
For this to work requires performances heedless of the barriers that come with heightened self consciousness. Dredd Foole never gives the impression that he is holding himself back as primal yelps and moans replace any notion of adhering to static verse-chorus-verse conventions. In lesser mortals the whole could become pretentiously Arty or a disastrous mess but Foole never strays into either territory.
That this album embraces the true meaning of ‘free’ music is evidenced by the sense that you feel alive and empowered just by tapping into its brilliant energy.