Tag Archive: folk music


WHO’S THAT MAN? : BOB DYLAN AND MR. JONES

Today I spoke at a study group on the topic of A Ballad of a Thin Man by Bob Dylan. Here’s some of what I said:

bob-dylan-ballad-of-a-thin-manThe album Highway 61 Revisited was the first album of Bob Dylan’s that really made me sit up and take notice. The songs here were protest songs but were not overtly about unjust war, human rights or inequality.

This was a singer giving expression to his feelings in a manner I had not heard before. Even though his words are often obtuse, caustic and surreal there is, nevertheless, an unmistakable tone of someone who is not merely adopting a fashionably oppositional standpoint but stating something real, exemplifying an affinity for the power of language; what David Bowie (in Song For Bob Dylan) called “words of truthful vengeance”.

Like all great writers and artists, he urges you to see beyond the narrow confines of your own world. This form of direct communication through art is hard to explain to others. A poem, a painting or a novel can move us in ways that can often only be articulated in a formal, academic manner. Reducing emotional feelings to factual statements is satisfying on an intellectual level but somehow fails to capture the emotional impact.

This can help explain why after all the books and articles that have been written about Bob Dylan, he still remains an enigma. This is all the more remarkable in the age of the Internet where we are overwhelmed by information and analysis.

There is still no simple answer to the question:  ‘Who Is Bob Dylan?’ Continue reading

INSIDE LLEWYN DAVIS directed by Ethan & Joel Coen (USA, 2013)

Dave Van Ronk is to Bob Dylan what Antonio Salieri was to Mozart. Salieri was popular during his lifetime but his music is rarely performed now.

Van Ronk was a prominent performer in the Greenwich Village during the 1960s but is not so widely known now. Mozart’s genius is now taken for granted and despite having “a voice like sand and glue” (to borrow David Bowie’s words) Dylan is the most influential singer songwriter of all time.

Van Ronk had a pretty good voice, some decent songs but, until now, has been confined to a footnote in the folk history books; a nearly man popular only among purists. Ironically, his standing may now be reassessed following the Coen Brothers movie even though this is not billed as a bio-pic and the depiction of a struggling artist is far from glamorous. Continue reading

Depressing day at work and listening to the new Beth Orton album (Sugaring Season), her first in 6 years, didn’t lighten my mood. Do we really need another folk song about magpies? I’ll listen to this again when I’m in a more hospitable state of mind.

News of a new Godspeed You! Black Emperor, almost a decade after Yanqui U.X.O.,was more in tune with my ratty mood.

You can currently stream the whole album at The Guardian – or at You Tube – two massive tracks  Mladic and We Drift Like Worried Fire and two intense drones.

Just what the doctor ordered!

Don’t accept imitators.

DAN RAZA – A NAME TO WATCH

One of the best things about getting albums to review (for Whisperin’ & Hollerin‘) is when I discover artists that would probably not otherwise come across.

One of these is Dan Raza , a young folk singer based in East London whose self-titled debut album is really impressive, not because he does anything original or radical, but because he has clearly put a lot of thought into presenting the simple songs in the best way possible.

He sings and plays acoustic guitar and the other instruments that feature on the ten track album include xylophone, piano,oboe,accordion, fiddle, sax, whistle, pedal steel, mandolin. organ and kora. These are used subtly to give a range and depth to the songs.

To date there’s limited footage on You Tube but if there’s any justice in the world, this will change. This amateur video is about the best of a small bunch which gives a hint of his talents.

Linkmy album review at Whisperin’ & Hollerin’

Part of an irregular series of bite-sized posts about 7″ singles I own – shameless nostalgia from the days of vinyl. (Search ‘Backtracking’ to collect the set!)

JOAN BAEZ – One I Had A Sweetheart (Fontana EP, 1963)

As I was just 5 years old when this record was released so I obviously didn’t buy it myself. I grabbed it off my elder brother when he was having a clear out.

The quality of the disc is pretty bad , a couple of scratches and major surface noise but this adds character.  The sleeve notes are by an anonymous Vanguard Recordings scribe who waxes lyrical about the healing power of folk music. Quoting Shakespeare he (she?) gushes: “Perhaps we turn to folk music because we feel too ‘cabin’d, cribbed, confined’ by the standards of our world, where to be cool is to be wise, and to avoid complications (such as other peoples’s troubles) is the road to suburbia and its house so fine, a world where love is a sometime thing and the voice of the turtle-dove is hushed in the shadow of the mushroom cloud”.

Joan Baez is praised for her ability to draw emotional depth from our “shared fund of experience” which in the case of this disc consists of renditions of four traditional songs. Two feature dead lovers, one is about a dead dog and one is about being spurned by a cad.

From the brief flurry of applause, the title track was recorded live somewhere though nothing on the sleeve indicates when and where. “One I had a sweetheart and now I have none” is the self explanatory message of this song.

The Trees They Do Grow High is about an arranged marriage between a 24-year-old woman and a boy half her age. It’s in the form of a dialogue with her dad, understandably pissed off about the situation. She comes to terms with it because he is the handsome son of a Lord. She reflects philosophically that  and  “he’s young but he daily grows”. The boy/man  fathers a child and then promptly dies at the age of 16. Life can be cruel.

Wildwood Flower is a song made popular by The Carter Family whose version is far superior.

Old Blue is about a faithful dog who ups and dies. The singer hopes to be reunited with him in heaven.

On the songs Joan Baez accompanies herself on acoustic guitar and sings in her plaintive, lovelorn fashion. It’s a screechy love it or hate it  style that contemporary female artists like Marissa Nadler and Josephine Foster have adopted as their own.