Tag Archive: Alex Neilson


CARBETH

carbethEarlier this year Dainty Records (“the world’s most fragile recording company”) released a A New Weird UK Sampler which could be downloaded free from Last.Fm. The initiative,not to say realism, of distributing their music in this way is to be applauded as it gives unknown names a unique global platform.

As for the music itself, well, the songs were pleasant enough but it left me wondering how they were defining ‘weird’ and what connection the label thought there was between these assembled artists and the likes of Matt Valentine, Charalambides or even the more accessible Devendra Banhart. On top of this, it was hard to detect any uniquely UK edge to the sound.  Frankly, it all sounded worthy but a bit dull.

In marked contrast comes a release to rejoice in.  ‘Carbeth’ by Trembling Bells on Honest Jons Records is, I think, destined to be a benchmark album for liberated Brit-folk everywhere.

The Glasgow based band’s goal is set out on their My Space page. They want  “to reanimate the psychic landscapes of Great Britain and relocate them to some vague, mythic land where basic human crises are encountered and conquered via a love for canonical rock, traditional folk and Earlie Musik” This is, in other words, no common or garden Merrie Olde maypole swinging fayre. Instead of giving us an airbrushed  evocation of heritage culture this is a band who positively revel in earthier Pagan/Celtic traditions.
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THIS COMING GLADNESS

Female singers in mainstream pop like Mariah Carey and Leona Lewis habitually sustain and mangle vowels to engender fake emotion into banal love songs. The intonation of Josephine Foster is also mannered and eccentric but the effect is much more profound. It sounds like she is singing from the heart and not the head.

Just take a listen to the way she pronounces simple words like ‘adore’ , ‘ground’ or ‘coca-cola’ on her wonderful new album ‘This Coming Gladness’ (out now on Bo Weavil Recordings). Above all, the feeling that come from being exposed to her extraordinary voice is one of longing. This is encapsulated in one of the standout songs called ‘All I wanted was the moon’ where there’s a delicacy to her vocals but also a plaintive quality that is hypnotising.

Her MySpace page refers to the songs “transcendental art-rock” which sounds Pseudy yet highlights the difficulty in classifying exactly it what it she does. Her sound floats between experimental folk and rock without falling easily into either category.

On many of her earlier solo records, particularly the cdrs, her voice is more exposed with just a simple backing from guitar, mandolin and auto-harp. Here she is backed by some neat psyched guitar moves by Victor Herrero and the ubiquitous and inspirational drumming of Alex Neilson. This fleshes out the ten songs beautifully to produce one of the albums of the year.

ALBUM COVER

Up until now, Ben Reynolds‘ solo albums have been a mixed bag.

Drone orientated pieces with titles like ‘O Time Thy Pyramids'(on ‘O Joy & Beyond) or ‘The Bard’s Vision Over Stinking Fires’ (on ‘Silver Songs’) left little doubt of his skills or his experimental intentions but somehow lacked a real heart, coming across too often as exercises in style rather than genuinely expressive.

They are interesting and sporadically striking works but Reynolds’ personality seemed strangely hidden.

This cannot be said of his beautiful new album – ‘Two Wings’ out now on Strange Attractors Audio House. Continue reading

DAVID KEENAN INTERVIEW

DAVID kEENAN

Interview with David Keenan

(Volcanic Tongue, Glasgow June 8th 2007)

David Keenan is credited with introducing the genre New Weird America into the public domain. It turns out Wire editor Tony Herrington came up with the term as a way to draw together the diverse set artists David was writing about for a cover feature about the Brattleboro Free Festival.

A lot of sounds have passed our way since then but the label has stuck and is as good a way as any to identify strands experimental music that don’t slot neatly into existing headings. Continue reading

ALEX NEILSON

Alex-NeilsonAlex Neilson is my new hero.

He must be in his 20s but he looks about 13. He was born in Leeds but now lives in Glasgow. He is a drummer of immense natural talent. He also has aspirations as a singer of folk ballads.

The list of those he has played with is like a check list of cutting edge underground artists and includes Jandek, Richard Youngs, Ashtray Navigations, Vibracathedral Orchestra, Will Oldham, and Alasdair Roberts. A connection between these acts is that all broadly use Folk as a point of entry but then take the music into new realms – in other words into the sphere of the ‘New Weird’.

His style of playing was well described by David Keenan in May 2007: “In Neilson’s playing there is truly no past or future, simply Now over and over. Just one movement of his hands and then the next”. Alex was part of David’s Tight Meat Duo/Trio and until recently he worked in the Volcanic Tongue record shop run by Keenan with Heather Leigh Murray so this endorsement may be thought of a little biased, however, as an independent party I can vouch for this judgement.

I first saw Alex performing with Will Oldham (Bonnie ‘Prince’ Billy) in Faenza (see my review here). He made a good impression then but the show I saw him play last night in Ravenna was even more memorable. He played with Six Organs Of Admittance which for this gig also consisted of Mr. Six Organs Ben Chasny and Chasny’s latest flame/collaborator Elisa Ambrogio of Magik Markers. Alex’s technique and energy was something to behold. Behind the drum kit he seems a man possessed – his playing looked controlled yet free at the same time. It is musicianship which, for one of his projects Directing Hand (with Vinnie Blackwall on wordless vocals and harp), is neatly summed up as “ecstatic improvisation”.

I spoke briefly with Alex after the gig last night – mainly to give gushing praise for his amazing performance. He told me that he is currently setting up a band which will include Ben Reynolds and be focused on what he called sentimental ballads. Ben and Alex are currently playing as part of Baby Dee’s backing band.

The new band will be called ‘Trembling …..???’ (i didn’t catch it all) and sounds an interesting avenue for a young artist with amazing talent and huge potential.

There’s a good interview with Alex in Stylus online magazine