LES QUATRE CENTS COUPS (The 400 Blows) directed by François Truffaut (France, 1959)
I don’t speak French, but I am reliably informed (by Wiki!) that the original title of this brilliant movie comes from an expression meaning ‘to raise hell’.
To call the 12-year-old Antoine Doinel (Jean-Pierre Léaud) a hell raiser is a bit of an exaggeration. He is disruptive and difficult but he is a good-hearted kid whose transgressive behaviour shows a keen intelligence more than a malevolent spirit.
His rebellion against the soul-destroying school system and oppressive home environment seems a wholly justified quest for a non-institutionalised education that teaches him more than simply how to conform.
We see him playing truant, sneaking into cinemas and embarking on a non too successful career as a petty criminal.
Truffaut’s remarkably assured debut is loosely based on his own life and fulfilled his aim to show adolescence “as the painful experience that it is”. Continue reading









