Tag Archive: 911


ACADEMY STREET by Mary Costello (Canongate Books, 2014)
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Mary Costello’s bold and compassionate debut novel initially gives the impression it will be an uplifting life story of female empowerment.

It begins  in the 1940s and is set in Western Ireland. In this time and place we meet Tess, aged 8, immediately after the sudden death of her beloved mother.

The bewilderment and uncertainty this loss produces is brilliantly evoked as is the child’s difficult relationship with her harsh and uncommunicative father.

Surely things can only get better and with Angela’s Ashes in mind you envisage emigration from Ireland to America to be the harbinger of hope and good fortune. Continue reading

EXTREMELY LOUD & INCREDIBLY CLOSE directed by Stephen Daldry (USA, 2011)

Having read a few reviews prior to seeing this movie (always a mistake), I was all set to entitle this post EXTREMELY LAME & INCREDIBLY CONTRIVED. This only goes to show that you should always keep an open mind and shouldn’t take what critics say as gospel.

Steven Daldry’s movie is contrived but it is not lame.

The British director actually makes a pretty decent stab at translating a tricky story on such a sensitive topic to the big screen without laying on the sentiment too thickly. It isn’t perfect but is not the turkey some make it out to be. Continue reading

SIEGE MENTALITY

THE SIEGE directed by Edward Zwick (1998).

"Who the fuck is supposed to be in charge here anyway?"

One of the most common reactions to 9/11 was that the events looked like they could have been staged by Hollywood.

One of the movies people may have had in mind was The Siege which was made in 1998 and anticipated the horror that was to strike NYC with scary accuracy.

This otherwise godawful film is proof of what Mike Davies wrote in his collection of essays,  ‘Dead Cities And Other Tales’: “It is important to recall the already fraught collective condition before Real Terror arrived in a fleet of hijacked airliners. [The 1990s] was an age of inexplicable anxiety”.  

Those terrible events of 2001 did not come out of a clear blue sky.

Arabs and Muslims were understandably enraged by being portrayed on-screen as terrorist monsters, calling Zwick’s movie “beyond offensive”. But Americans themselves are not portrayed in a particularly flattering light either. What begins as a standard thriller with the FBI on the trail of the ‘enemy within’ turns in to a dystopian nightmare in which the nation’s leaders and their appointed protectors have as much the dignity and organisation as a brood of headless chickens. Continue reading

THE RELUCTANT FUNDAMENTALIST by Mohnsin Hamid

Mohsin Hamid

Mohsin Hamid

Although born in Pakistan and raised as a Muslim,  Mohsin Hamid studied and worked in the United States for many years.  He explains his continuing affection for America  in an article for the Washington Post“I learned to sing “The Star-Spangled Banner” years before I could sing the Pakistani national anthem, played baseball before I could play cricket and wrote in English before I could write in Urdu – I was an American kid, through and through. Part of me still is.” .

In spite of this, Hamid’s  novel,  ‘The Reluctant Fundamentalist’,  presents the post 9/11 superpower in a less than glowing light.  Apparently  the first draft of the novel was completed before the terrorist attack on the World Trade Center but it is impossible to imagine it without this backdrop. This, after all, is the event that irrevocably transforms the life of the book’s main character Changez, a young Pakistani ,  who was  until then  living a privileged existence working for an elite New York valuation firm and dating a sexy American woman.


71gg-ncc-jlThe story takes place a few years on from those momentous events of 2001 in a small cafe in Lahore. The novel is in the form of a dramatic monologue as Changez talks to an American who not only remains unnamed but is presented only through the eyes of the Pakistani .  It therefore reads like an open letter to all Americans.

Hamid, through Changez,  is critical of the  primacy of America as a superpower.  In interviews, Hamid has spoken of what he calls ‘a crisis of empathy’ that has arisen since the War on Terror began with a profound lack of understanding between western and non western countries adding to the climate of fear and distrust. Pakistan is obviously one of the countries affected by America’s hawkish foreign policies and through this contrived fictional  encounter we are shown how this causes the USA to be viewed .

Changez is no crazed terrorist but a sensitive and intelligent man whose loyalties are divided . For all his education he is in many ways a naive character. At the apartment of his boss, he notes the framed paintings of naked men and is  still  surprised that this man has no wife or children.  His studious politeness means that his sexual desire for Erica is expressed in roundabout way: “[I was] desirous of embarking on a relationship with her that amounted to more than friendship”.

Ultimately Changez comes to see himself as a kind of ‘jannisary’, the name given to loyal and unquestioning Muslim foot soldiers in the Turkish Ottoman Empire who were not even allowed to grow beards.  Significantly, Changez does grow a beard despite the fact that this causes him to be treated with greater suspicion and exposes him to abuse from the general  public.

At the heart of the novel is a conflict of tradition and modernity,  something which political events over the past decade have thrown into sharp relief. Details like the fact that the American uses a state of the art mobile phone while being pestered by a street beggar show up this gulf.

The novel raises questions rather than provides solutions but above all puts a human face on the issues it raises .  Those who hate what America stands for are not faceless monsters but individuals driven to making increasingly desperate choices.  The implicit message is that we need to develop a greater respect for cultural differences and deeply entrenched belief systems.   The definitive perspective on America comes near the end of the novel:

“It seemed to me then – and to be honest, sir, it seems to me still – that America was engaged only in posturing. As a society, you were unwilling to reflect upon the shared pain that united you with those who attacked you. You retreated into myths of you own difference, assumptions of your own superiority. And you acted out these beliefs on the stage of the world, so that the entire planet was rocked by the repercussions of your tantrums, not least my family, now facing war thousands of miles away. Such an America had to be stopped in the interests not only of humanity, but also in your own”.

Hamid skillfully maintains the suspense right up to the last line of the novel, keeping the reader guessing as to whether Changez is predator or prey. In many respects this remains an unanswered question.

CLOVERFIELD

CLOVEFIELD

As Arthur Lee of Love sang “The news today will be the movies of tomorrow” and it’s taken less than 7 years to fictionalise the feel bad anxiety of 9/11 effectively. The makers of Cloverfield can stake a claim to have done just that. Using a hand held camera throughout this is like watching 70 minutes feed of breaking news with all the associated horror of confusion and disorientation; a Blair Witch Project transported to the heart of Manhattan.

The script writers had the easiest task – here’s a excerpt of the ‘dialogue’ :

ohmygod.. ohmygod..ohmygod.. ohmygod.. ohmygod..what IS that….. ohmygod.. ohmygod..ohmygod..did you SEE that….. ohmygod.. are you still filming?…..ohmygod..I’m documenting….. ohmygod.. ohmygod……I love you……………….

The only glimmer of hope offered is that the tape we are watching survived and has been documented and classified as top secret by the authorities.

Then again, looking at the headless chicken reaction of the authorities in question this doesn’t give much cause for optimism.