Tag Archive: Bruce Willis


Wes Anderson is one of the great originals of modern cinema. In his relatively short career to date he has already developed a fascinating style that is completely his own.

I have blogged already about THE ROYAL TENENBAUMS (2001) and, having been enthralled by his latest movie THE GRAND BUDAPEST HOTEL, I was prompted to return to earlier movies THE LIFE AQUATIC WITH STEVE ZISSOU (2004) amd MOONRISE KINGDOM (2012).

All of these films boast strong ensemble casts. The quality of the writing is so strong that it’s not surprising that big names want to be associated with his films, even if it means playing a small cameo role. Continue reading

DOWN BY THE JETTY WITH THE 12 MONKEYS

LA JETÉE directed by Chris Marker (France, 1962)
12 MONKEYS directed by Terry Gilliam (USA, 1995)

Chris Marker's The Jettygilliam's 12 monkeysIf you have a good story, you don’t need elaborate sets or A-list actors. This is probably why most Science Fiction works better in books or graphic novels than in big budget movies. These two movies illustrate this point perfectly.

They each tell the same story but in very different ways. In both, a time traveller is sent on a mission from the future to find the origin of a deadly virus that has all but wiped out the human race. Continue reading

SIEGE MENTALITY

THE SIEGE directed by Edward Zwick (1998).

"Who the fuck is supposed to be in charge here anyway?"

One of the most common reactions to 9/11 was that the events looked like they could have been staged by Hollywood.

One of the movies people may have had in mind was The Siege which was made in 1998 and anticipated the horror that was to strike NYC with scary accuracy.

This otherwise godawful film is proof of what Mike Davies wrote in his collection of essays,  ‘Dead Cities And Other Tales’: “It is important to recall the already fraught collective condition before Real Terror arrived in a fleet of hijacked airliners. [The 1990s] was an age of inexplicable anxiety”.  

Those terrible events of 2001 did not come out of a clear blue sky.

Arabs and Muslims were understandably enraged by being portrayed on-screen as terrorist monsters, calling Zwick’s movie “beyond offensive”. But Americans themselves are not portrayed in a particularly flattering light either. What begins as a standard thriller with the FBI on the trail of the ‘enemy within’ turns in to a dystopian nightmare in which the nation’s leaders and their appointed protectors have as much the dignity and organisation as a brood of headless chickens. Continue reading