12 YEARS A SLAVE directed by Steve McQueen (UK/USA, 2013)
The Academy members undoubtedly did the right thing by naming 12 Years A Slave the best picture and, if there was any justice, Steve McQueen would have been awarded an Oscar for best director in place of Alfonso Cuarón. Gravity is a remarkable technical achievement but directing technology is less deserving of a statuette than man management.
McQueen not only gets the best out his actors but he also knows how to pace a movie. The huge temptation in telling Solomon Northup’s story is to revert to Hollywood clichés and crank up the sentimentalism. It is to his credit that he doesn’t milk the emotional content and heroic lines like “I don’t want to survive, I want to live” are few and far between.
In one remarkable scene, Northup is strung up and has to desperately cling on while waiting for ‘the master’ to cut him down. In conventional films there would be dramatic music and close-ups of the man’s life and death struggle. Instead, the camera pulls back so show life going on around him and makes us realise how commonplace such torture was.
Northup (Chiwetel Ejofor) quickly learns that maintaining a low profile and keeping schtum about his education are the only ways to guarantee survival. Patience and will power are the main reasons why he lived to tell his remarkable story.
It is only right, therefore, that the movie never has the quality of an action movie. The power of the drama comes from the systematic abuse and degradation he and his fellow slaves have to endure. Continue reading
If you have a good story, you don’t need elaborate sets or A-list actors. This is probably why most Science Fiction works better in books or graphic novels than in big budget movies. These two movies illustrate this point perfectly.
