Tag Archive: Winter’s Bone


THE HUNGER GAMES directed by Gary Ross (USA, 2012)

Jennifer Lawrence as Katniss Evergreen

Katniss Evergreen takes aim.

As far as ‘young adult’ fantasy fiction is concerned, you only have to look at what a pig’s ear was made of the adaptation of Phillip Pullman’s Northern Lights for The Golden Compass to know that there’s never any guarantee that a great book will make a great movie.

So Suzanne Collins is probably pinching herself over the fact that director Gary Ross has brought her vision to the big screen with such style and assurance. Continue reading

2011 IN REVIEW : MOVIES

I had fun compiling a list of best British cult movies but putting together a year’s best of list is a taller order as I don’t actually go the cinema that much these days.

I tend to be a little over dependent on DVDs and downloads which often means I miss stuff or see things late.

I just about managed to put together a top ten, however, although keen-eyed buffs will note that some of these were actually released in 2010.

1. Tree of Life. 

Terrence Malick’s epic was panned by some and booed at Cannes but for ambition, scope and sheer beauty movie experiences don’t come much better than this. Continue reading

COPING WITH KIN

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Coping with teenage tantrums is no picnic.

In Daniel Woodrell’s superb novel , Winter’s Bone, the protagonist is a young woman named Ree whose father is missing presumed dead and whose mother has a wasting illness that reduces her to a vegetative state.

Ree is forced prematurely into the role of a single parent to her two younger brothers. In one scene she is teaching them to skin and gut a squirrel. One of the boys complains and says he hasn’t got the stomach for the job – Ree is resolute : “You got a whole bunch of stuff you’re goin’ to have to get over bein’ scared of, boy”, she tells him. It is her way of saying that he cannot take for granted that she is going to be around forever.

I love this scene because it acknowledges the harsh reality that one day you are going to have to fend for yourself. In Woodrell’s story, this initiation comes early; in less harsh conditions it occurs around the time of adolescence. This is an age when teenagers are asserting their right to free expression while at the same time lack the wherewithal to be truly independent. Continue reading

DANIEL WOODRELL’S TOMATO RED

763679The way The Ozarks in Missouri are depicted in Daniel Woodrell’s fiction, it seems like somewhere you’d want to escape from than move back to.  Nevertheless, it must have some attractions as he, and his wife Katie Estill, chose to move back to the West Plains from San Francisco.

The region in Central United States is both the setting and practically an extra character in his novels. But you wouldn’t exactly say he sees the Osarkers through rose-tinted spectacles. They are, for the most part, presented as belonging to a closed, insular community who “don’t overwhelm strangers with ready backslaps and quick invitations”.

It was Debra Granik’s faithful and flawless adaptation of the novel Winter’s Bone that led me Woodrell’s writing. The book is as good as, if not better than the movie, which, if you’ve seen the film, you will know is high praise indeed.

I was keen to read something else by him and discovered that the rest of his fiction is not so easy to find. Fortunately, publishers are recognizing that the reissuing of his earlier novels is necessary.

Winter’s Bone was published in 2006; Tomato Red pre-dates it by eight years. The story is neatly summarised by The Independent’s John Williams as  “a tragic tale of blighted white-trash dreams”. It is not as forceful or controlled as Winter’s Bone but it shows a writer finding his voice and having plenty to say.

The narrator is Sammy Bachlach (pronounced ‘back-lack’) who is all too aware , as all the characters are, of the gulf between the well to do and the down at heel. Sammy’s encounters with the world of the rich make him feel “embarrassed for the poorly decorated life I was born to”. Continue reading

THE COUNTRY NOIR OF WINTER’S BONE

I never had any plans to travel to the Missouri Ozark region and certainly won’t be rushing to go after seeing Winter’s Bone. I’m sure it has beautiful lakes, historical sites and fine wines , but the movie shows that  it also has godforsaken areas where grinding poverty is the norm.

The movie is based on Daniel Woodrell’s 2006 novel, part of a fictional series he has called Country Noir. The main character is 17-year-old Ree Dolly who has to provide for her sick and depressed mother and younger brother and sister. Her father, Jessup, has disappeared seemingly to evade a drug related charge and certain gaol. He has jumped bail and ,since the family home has been put up as collateral, Ree and her family stand to lose everything if he can’t be traced (dead or alive). This is no easy task since the community Ree lives among is governed by strict codes administered by a violent patriarchy headed by ‘Thump’ Milton (no need to ask how it got that nickname!).

Ree is a determined and ,in the circumstances,  incredibly well-balanced individual. The can of worms she uncovers as she tries to find out the fate of her father leads to a gruesome finale.

Jennifer Lawrence is quite outstanding in the role of the fearless and resilient Ree and she has deservedly been nominated for an Oscar. John Hawkes as is also great as her father’s brother (Teardrop) torn between family loyalty and the need not to break ranks in this primal hierarchy. Continue reading