Tag Archive: Academy Award


What it takes to win an Oscar

THE REVENANT directed by Alejandro G.Iñárritu (US, 2015)

revenant-leoIn which an A-list vegetarian actor is forced to eat buffalo liver, raw fish and to pick meat off the bones of long dead animal carcasses.

These are only part of what Leonardo Di Caprio, as Hugh Glass,  has to endure after being left for dead in an unforgiving snowy wilderness with a constant threat from roving tribes of Native Indians. Though set at the end of the 19th Century, this is a modern day western in the raw, gritty spirit of Cormac McCarthy.

Emmanuel Lubezki’s landscape photography is astonishing and it come as no surprise to discover that he has also worked with Terrence Malick. It justifies the director’s decision to use natural lighting and to reject the easy option of computer-generated imagery.

The special effects are equally breathtaking. A fight with a grizzly bear is amazingly realistic. Never has the ‘no animal has been harmed during the making of this film’ message been so necessary.

Stripped to the rawest elements, this is a tale of survival and revenge against all odds. The tagline ‘Blood lost – life found’ can also serve as a plot summary. Complaints in some quarters about the movie being merely a celebration of machismo are akin to complaining of lack of affirmative female roles in a war movie.

Tom Hardy plays the ruthless Fitzgerald, Glass’s uncompromising adversary. Hardy is an actor who seems to inhabit his characters while I generally find it harder to separate DiCaprio from his offscreen persona. I will concede, however, that DiCaprio gives an impressive no holds barred performance here, one which should finally earn him the long-awaited Academy Award.

In a state of exhaustion and barely alive, his stony stare into the camera at the end of the movie should come with the caption: NOW can I have an Oscar, pleeeeeeaaaase!

KAFKA, CAPRA AND CAPALDI

This might come in handy on the Tardis - Peter Capaldi with his Oscar statuette

This might come in handy on the Tardis – Peter Capaldi with his Oscar statuette

Before he was sharp-tongued media adviser Malcolm Tucker in BBC’s The Thick Of It and, more recently, being transformed into a gigantic (in global marketing terms) time lord as the new Dr Who, Peter Capaldi won the Oscar in 1995 for a quirky short film he wrote and directed called Franz Kafka’s It’s Wonderful Life.

This is one of a virtual treasure trove of 550 free movie listed on the Open Culture website.

Gregor Samsa post metamorphosis

In the film, we find K (Richard E. Grant) struggling to overcome writer’s block while writing the famous opening to his short story Metamorphosis.

He is distracted by a knife salesman searching for his pet cockroach and by the noise from a party downstairs attended by a group of young women who look like extras from Picnic At Hanging Rock.

Like Frank Capra’s feel good Christmas caper, it all ends happily as Kafka gets his inspiration and wins some new friends in the process (“call me F”).

Just like Kafka’s life it is dark, strange, surreal, satirical and short.

https://vimeo.com/57778076

‘ALL ABOUT EVE’ AGES WELL

Part of All About Eve's dream cast: L to R -Anne Baxter, Bette Davis, Marilyn Monroe + George Sanders

Christmas is traditionally the time to over indulge in old movies and I’m making an early start.

I was convinced I had seen Bette Davis in All About Eve but it turns out I was confusing it with Whatever Happened To Baby Jane? which she made some 12 years later in 1962 (this is now another movie on my ‘must see’ list).

All About Eve was written and directed by Joseph L. Mankiewicz and given its massive acclaim and Oscar success, it probably doesn’t need me to say that it’s a masterpiece.

The mark of a true classic is how it stands the test of time and this easily passes. The obsession with fame and the ruthless lengths Eve (Anne Baxter) is prepared to take to achieve it, actually make it pretty topical.

The only thing that really dates it is that the star vehicle of the Davis character – Margo Channing – is a theatre production whereas today it would have to be a movie or TV role to be as convincing. I love the fact that the story is actually pretty dark as success comes to those who are the most cynically manipulative; none of the usual feel good finales here.

Davis is sheer class and the supporting cast is equally faultless.  George Sanders as the suave and sinister critic Addison DeWitt stands out – its hard to hear his amazing voice without visualising the tiger Sheer Khan from Disney’s The Jungle Book.

THE FIGHTER IS NO KNOCKOUT

Confession time.

I have never seen any of the Rocky movies!

This fact should immediately tell you that boxing movies are not my bag. The Fighter, directed by David O.Russell doesn’t persuade me that I’m missing anything by shunning this genre.

I rate Raging Bull but that’s as far as it goes.

Scorsese was once in the frame as the director of The Fighter but wisely turned it down. It’s a solid enough movie but far too predictable.

The only reason I watched it was to complete my mission of seeing all the Oscar best picture nominees. I left it till last as I didn’t expect to like it and in this sense  I wasn’t disappointed.

Mark Wahlberg, Christian Bale, and Amy Adams play Micky, Dicky and Charlene respectively.  Micky is a big hitter but also a big softy at heart. Charlene is his girl and hated by his rabid family of foul-mouthed straw-haired sisters ( a family from hell).

Dicky is his half-brother who could have been a contender but ends up as a crackhead.

I quite liked Wahlberg’s understated performance but it only makes Bale’s over the top method acting seem all the more unhinged. Bale has never been a person or actor I admire and I find him very irritating here. The critical praise heaped on the movie centres on his grandstanding performance so if you like Bale you’ll like this movie. I don’t and didn’t.

The story is yet another true life triumph against all odds tale and I’m starting to think I want to see movies about failing with dignity – as Steely Dan sang on Deacon Blues: “they got a name for the winners in the world – I want a name when I lose“.

THE COUNTRY NOIR OF WINTER’S BONE

I never had any plans to travel to the Missouri Ozark region and certainly won’t be rushing to go after seeing Winter’s Bone. I’m sure it has beautiful lakes, historical sites and fine wines , but the movie shows that  it also has godforsaken areas where grinding poverty is the norm.

The movie is based on Daniel Woodrell’s 2006 novel, part of a fictional series he has called Country Noir. The main character is 17-year-old Ree Dolly who has to provide for her sick and depressed mother and younger brother and sister. Her father, Jessup, has disappeared seemingly to evade a drug related charge and certain gaol. He has jumped bail and ,since the family home has been put up as collateral, Ree and her family stand to lose everything if he can’t be traced (dead or alive). This is no easy task since the community Ree lives among is governed by strict codes administered by a violent patriarchy headed by ‘Thump’ Milton (no need to ask how it got that nickname!).

Ree is a determined and ,in the circumstances,  incredibly well-balanced individual. The can of worms she uncovers as she tries to find out the fate of her father leads to a gruesome finale.

Jennifer Lawrence is quite outstanding in the role of the fearless and resilient Ree and she has deservedly been nominated for an Oscar. John Hawkes as is also great as her father’s brother (Teardrop) torn between family loyalty and the need not to break ranks in this primal hierarchy. Continue reading