Tag Archive: Transmissions VII


A Hawk & A Hacksaw – husband and wife duo Heather Trost & Jeremy Barnes performing at the Bronson club, Ravenna as part of the Transmissions Festival they curated.

 Father Murphy, A Hawk & A Hacksaw, Mouse On Mars at the Bronson Club, Ravenna.

The juxstaposition of styles presented during this concert  showed how sonic transmissions in our technically challenging (and challenged!) age can be by turns nostalgic, alienating and invigorating.

In Keywords (A vocabulary of culture and society) Marxist academic Raymond Williams wrote that, in the 18th century, the verb ‘to modernize’ was mainly applied to buildings and was not automatically regarded as something positive. Nowadays, modernization is generally associated with improvement and forward thinking. Williams noted that when we say modern now we generally refer to something which is “unquestionably favourable and desirable”. It signifies that you are up with the times and at one with the contemporary world.

Compare this to words like ‘tradition’ or ‘traditionalist’ which are commonly used to dismiss something as quaint yet old-fashioned and contrary to notions of innovation or change. We associate these terms with the work of artisans and craftsmen and think of outdated skills handed down from generation to generation.

When applied to music, ‘tradition’ is usually linked to an analog philosophy while to describe sounds as ‘modern’  is to say the artist is making a break with the past. However, an incessantly forward momentum has its pitfalls. The fact that discerning listeners will still seek out vinyl releases or lossless audio is a sign that the ‘modern’ day digital revolution is regarded in some quarters as a step backwards.

On the third and final day of Ravenna’s Transmissions festival the stark contrast between the old and the new was very evident. After being gently wooed by the Balkan-influenced folky charm of A Hawk And A Hacksaw (+ special guests) we were abruptly wowed by the uncompromising techno beats of German duo Mouse On Mars. Continue reading

RAVEN CHACON (USA), OvO (Italy), FIRE! (Sweden) and DEERHOOF (USA), Bronson Club, Ravenna 20th March 2014.

This year’s  three-day Transmissions Festival has been curated by a Albuquerque duo Hawk And A Hacksaw.

Experimental and uncompromising artists have been the staple of previous editions and this year is no different.  The opening show featured an impressively eclectic mix of styles and talents. Here are my impressions of each artist:
RAVEN CHACON – A heavy-set Native American who plays daunting noise on what looks like a purpose-built electronics board. The blast of harsh industrial sounds are as digestible as the plastic tubes he fed into his mouth to literally become part of the machinery. Rating 3/10

OvO

OvO – this menacing looking doom duo look as they have emerged from some dark pagan pit where they have sustained themselves on a diet of  horror b-movies. In a plain black vest, the tattooed and muscular drummer Bruno Dorella looks like a butcher or a wrestler while singer/guitarist Stefania Pedretti’s gothic stage gear is a cross between that of a wayward witch and a ragged prostitute. Her vocals could have been modelled on the demonic voice of Regan in The Exorcist. Her dreadlocks, stretching almost to her ankles add to the unearthly appearance. Her fierce, nightmarish screams and mantras are like a soundtrack to some dark rituals and is impressive for their raw physicality. Rating 7/10

Mats Gustafsson

FIRE! are relatively conventional by comparison. This musically accomplished trio deliver a solid 45 minutes worth of proggy free jazz. They are led by Mats Gustafsson who plays electric organ and a vintage saxophones with serious intent. Backed by a formidable rhythm section they are technically sophisticated yet I found it hard to engage with their dour, business-like performance. They make no attempt to connect with the audience as though wrapped up in their own desire to achieve perfection. Rating 6/10

Deerhoof

 

DEERHOOF Round off proceeding in great style. I’ve been vaguely aware of this band without ever following their career closely. More fool me as I’ve clearly been missing out on something very special. On stage they are one of the coolest bands I’ve ever seen. The four each have their own distinct personality but look and sound great together. Singer Satomi Matsuzaki moves like a go-go girl and has an appealingly fragile, deadpan voice that is always ever so slightly out of tune. John Dieterich is neat and energetic on rhythm guitar and occasional vocals; Ed Rodriguez on lead guitar is a hipster rock’n’roll reincarnation of Javier Bardem while Greg Saunier attacks his small drum kit as if his life depended on it. (He also drinks herbal tea and speaks bad Italian) . All have great hair. Their songs lurch and change direction almost of their own volition with a heady mix of J-pop and Punk rock. This hybrid sound is packed full of energy and it’s a delight to see a band playing their music with undisguised pleasure.  I was so wrapped up in their performance, I was surprised by how few people stayed to the end of the show. Those who left early missed a real treat. Rating 10/10.

Roll on Day 2