Tag Archive: the smiths


THE LEATHER BOYS directed by Sidney J. Furie  (UK, 1964)

1964 The leather boys

The sixties might have swung for many but cinema’s representation of sexuality in this era was often anything but liberated.

The notion that sexual intercourse necessitates the removal of clothing is just one of the taboos filmmakers were reluctant to challenge.

An honest visual display of carnal lust and desire is controversial enough in straight relationships and is still more taboo when it comes to  homosexuality.

Even in our supposedly more enlightened 21st century, coming to terms with being gay can be unnecessarily traumatic. Ellen Page’s emotionally charged coming out speech is proof that this is still too often the “love that dare not speak its name”.

Mainstream cinema perpetuates negative attitudes by rarely treating same-sex relationships in an open or mature fashion.

The Leather Boys is regarded as an early example of ‘Queer Cinema’ and is unusual in that it tentatively tries to ‘normalise’ homosexuality instead of showing it as a threat to the moral wellbeing of society. Continue reading

petriburger“It’s not natural, normal or kind – the flesh you so fancifully fry is murder” . Morrissey’s words to The Smiths’ Meat Is Murder still speak for vegetarians the world over.

I am one of them, not having eaten meat or fish for the best part of 40 years, most of my adult life.

The arguments for a vegetarian diet are environmental as well as ethical:

  • Global meat demand is estimated to increase by 73% by 2050. But we already use 70% of farm land for livestock
  • Livestock farming for meat is responsible for ~18% of all greenhouse emissions, more than all global transport combined

This is why scientists have invented a meat product that is not natural and normal but is kind in that no animal is ‘murdered’.

Cultured beef takes the muscle cells from a living cow, grows them in a lab to produce muscle tissue, the main component of the meat carnivores consume. Continue reading

GIRLFRIEND IN A COMA  directed by Annalisa Piras (UK / Italy, 2012)

This documentary film ,co-written and narrated by ex-editor of The Economist, Bill Emmott, looks at Italy as an open wound in the heart of Europe.

As with Emmott’s book (Good Italy, Bad Italy) it examines the nation’s virtues and vices, borrowing the image of the country as a metaphorical girlfriend from the song by The Smiths and quoting liberally from Dante’s Divine Comedy.

In my view, it spends too long looking at the background to the crisis and too little on proposing a way out of the mess. The strongest messages rightly assert that ,if change is going to come, it is going to be the result of the more active role of women and a more enlightened attitude from the new generation.

Lorella Zanardo, who made the film Il Corpo Delle Donne, is therefore right to target her message at schools since the older generation already seem like a lost cause. This is also why it is less important to hear what Umberto Eco and Nanni Moretti think and more crucial to find out what the younger generation have to say. Continue reading

SHAME : FOR ADULTS ONLY

SHAME directed by Steve McQueen (UK, 2011)

Shame is a defining film about manhood; as groundbreaking as movies like Taxi Driver, American Gigolo and Blue Velvet.

What each of these films have in common is that they don’t shy away from the darker aspects of humanity and the limitless ambiguities surrounding male sexuality.

If this movie had been made in Hollywood it  would probably have starred someone like Michael Douglas, Charlie Sheen or Russell Brand, all actors who have confessed and/or boasted about being addicted to sex.

With any of these in the leading role of Brandon, the film would have ended as either a vacuous, moralising drama or a titillating American Pie style ‘comedy’.   English director, Steve McQueen takes a more courageous course of treating the subject seriously without feeling the need to judge the characters or tag on a token feel good ending.  This is a film for grown-ups. Continue reading

POSTMODERN MARITAL HEARTACHE

The Marriage Plot by Jeffrey Eugenides (Fourth Estate, 2011)

“Heartbreak is funny to everyone but the heartbroken”

Nine years on from the excellent Pulitzer prize winning Middlesex, Jeffrey Eugenides’ third novel has the look and feel of a substantial work.

In it, his stated aim is to attempt a big contemporary novel on the classic themes of love and marriage of the type found in celebrated novels of authors like Jane Austen and George Eliot.

Needless to say, he is mindful of the radical changes in society since the Victorian Age and the fact that the attitudes and roles of women are very different. Nowadays, prenuptual agreements and quickie divorces mean that marriage is no longer the be all and end all for women. Elevated social status and liberation is not dependent on making the right love match.

As a concept, the novel holds much promise but Eugenides seems weighed down by the burden of these themes. It all boils down three extended character studies – two men and one woman – and how their lives interweave. “Does the body rule the mind or does the mind rule the body?” asked Morrissey in The Smiths’ Still Ill and this is one of the question implicitly posed by all three. Continue reading