Tag Archive: Beppe Grillo


GIRLFRIEND IN A COMA  directed by Annalisa Piras (UK / Italy, 2012)

This documentary film ,co-written and narrated by ex-editor of The Economist, Bill Emmott, looks at Italy as an open wound in the heart of Europe.

As with Emmott’s book (Good Italy, Bad Italy) it examines the nation’s virtues and vices, borrowing the image of the country as a metaphorical girlfriend from the song by The Smiths and quoting liberally from Dante’s Divine Comedy.

In my view, it spends too long looking at the background to the crisis and too little on proposing a way out of the mess. The strongest messages rightly assert that ,if change is going to come, it is going to be the result of the more active role of women and a more enlightened attitude from the new generation.

Lorella Zanardo, who made the film Il Corpo Delle Donne, is therefore right to target her message at schools since the older generation already seem like a lost cause. This is also why it is less important to hear what Umberto Eco and Nanni Moretti think and more crucial to find out what the younger generation have to say. Continue reading

beppe_grilloSilvio_BerlusconiI live in Italy but am not an Italian citizen. Though I was unable to vote in the general election, I do obviously have a vested interest in the result.

I am writing this post before all the votes have been counted but already a number of things are clear.

The number of people who still view Berlusconi as a legitimate leader remains frighteningly high. To my mind, this indicates a level of ignorance that difficult to understand. With large parts of his support coming from the South, it shows that the Mafiosi are also still on his side. Continue reading

GOMORRA

Book cover

I have just seen the amazing new movie ‘Gomorra’ directed by Matteo Garrone which was rightly hailed at the latest Cannes Film Festival.

Imagine the Baltimore of HBO’s ‘The Wire’ transferred to the mean streets of Naples and you’ll get a flavour of its power. It oozes authenticity mixing remarkable performances by non-actors and actors who speak with such a strong Neapolitan and Casalese dialect that it has to be subtitled even for Italian audiences. Continue reading