Tag Archive: S&M


CRUISING WITH AL PACINO

CRUISING directed by William Friedkin (USA, 1980)

"Take your hand off my breast!"

“Take your hand off my breast!”

Officer Steve Burns (Al Pacino) is selected for a high-risk undercover operation in New York gay clubs where a knife wielding serial killer is on the loose targeting homosexuals.

Burns is chosen because he physically resembles the victims and he accepts the mission as a fast-track route to promotion.

What is never clear is how Officer Burns is meant to ID the killer. There is no indication that he has any cunning plan. This is worrying since most of the leather-clad clubbers give him death stares and any one could be a prime suspect.

William ‘The Exorcist’ Friedkin’s direction is lazy and the plot so full of holes that any semblance of realism is soon compromised. The movie uses the gay bar scene as an exotic backdrop to add a voyeuristic element to an unconvincing drama. There are jock straps and blow/hand jobs aplenty with no signs that safe sex is an issue. A post-AIDS version would have been very different. Continue reading

VIDEODROME directed by David Cronenberg (Canada, 1983)

David Cronberg is commonly regarded as (delete as appropriate) sick / inspired/ depraved /visionary /crazy. It’s probably safest to say he can be all of these things.

Videodrome is widely regarded as a defining work of his early, low-budget period.

Like the majority of Sci-Fi yarns for TV or cinema in the 70s & 80s, technological progress is represented in terms of large unwieldly machinery with a plethora of flashing lights and switches. So while Cronenberg’s virtual reality is clunkier than the mobile gadgetry we now take for granted, the movie’s concepts do not seen so dated.

His depiction of mankind enthralled by, and quite literally absorbed in, the TV screen looks an accurate summation of how our image-dominated culture craves harder and more extreme replications of the real world.

Maverick TV producer Max Renn (James Woods) wants something tougher and more disturbing than soft porn and simulated violence his channels currently broadcast. His search for more sensational, audience-grabbing material leads him into the sleazy world of S & M and snuff movies. His surreal hallucinations come to mirror the violence and degradation he is exposed to.

Inside Videodrome's body horror.

Inside Videodrome’s body horror.

Cronenberg’s so called ‘body horror’ movies revel in the gory detail which makes them off -putting to the casual viewer but it is the psychological distortions which are more disturbing than the graphic blood and guts detail.

His films are part of, and in many ways define, the sub-genre of Mindfuck movies in which nightmare worlds are a little too close for comfort to everyday life.

The increasingly imbedded technologies of the modern world mean that the notion of brains becoming rewired by computers is no longer the stuff of fantasy.

As time goes by, Cronenberg’s dark visions look more and more like social realism. Now that’s scary!

One the earliest known page 3 girls

One the earliest known page 3 girls

British PM, David Cameron, has refused to back a ban on the publication of  photos of Page 3 topless models in The Sun tabloid ‘newspaper’. He argues that to do so would be to an invasion of consumers’ right to personal choice.

By implication, he sees no fundamental harm in pictures of semi naked women being used to sell papers.

It’s interesting, and ironic, that this story has broken at the same time as his party announce legislation to censor online pornography.

I see these two issues as intrinsically connected in a way that Cameron and the Conservative Party do not.

Allow me to explain.

There is nothing illegal in what The Sun chooses to publish and, since it is the UK’s top-selling newspaper, it is arguable what they print is wholly in tune with what the great British public wants.

Governments cannot legislate against bad taste, nor should they attempt to do so. Continue reading