Tag Archive: Pacino


THE IRISHMAN directed by Martin Scorsese (USA, 2019)
220px-the_irishman_poster

Will there be mobster movies in heaven? If so, Martin Scorsese is sure to be the director. Of course, he’d insist on there being an afterlife ban on watching his work on mobile phones and would personally see to it that any films based on Marvel comics were cast into the fiery pits of hell. Netflix would be allowed through the pearly gates as a reward for stumping up the cash for his latest movie.

I find it ironic that Scorsese is now keen to dictate what and how we should be consuming movies in the 21st century.  He is quick to mount his moral high horse even though the charge of glamorizing unscrupulous criminals and cold-blooded killers is one he would be hard pressed to dismiss. I’m sure Mafia members are among his biggest fans.

‘The Irishman’ is a true crime caper in a similar vein to ‘Goodfellas’ (1990) .  Like that movie, Robert De Niro and Joe Pesci have starring roles and the same narrative technique of a start to finish voiceover is deployed. This is a device I usually find irritating and this film is no exception. I believe a story should speak for itself in cinematic terms rather than relying on a constant running commentary. Continue reading

CRUISING WITH AL PACINO

CRUISING directed by William Friedkin (USA, 1980)

"Take your hand off my breast!"

“Take your hand off my breast!”

Officer Steve Burns (Al Pacino) is selected for a high-risk undercover operation in New York gay clubs where a knife wielding serial killer is on the loose targeting homosexuals.

Burns is chosen because he physically resembles the victims and he accepts the mission as a fast-track route to promotion.

What is never clear is how Officer Burns is meant to ID the killer. There is no indication that he has any cunning plan. This is worrying since most of the leather-clad clubbers give him death stares and any one could be a prime suspect.

William ‘The Exorcist’ Friedkin’s direction is lazy and the plot so full of holes that any semblance of realism is soon compromised. The movie uses the gay bar scene as an exotic backdrop to add a voyeuristic element to an unconvincing drama. There are jock straps and blow/hand jobs aplenty with no signs that safe sex is an issue. A post-AIDS version would have been very different. Continue reading