Tag Archive: Reykjavík


Harpa

The shadows and light in Harpa concert hall are stunning.

Preparations and expectations are as much a part of journeys as arrivals but it was a trial to face mundane considerations of what to pack for my short stay in Reykjavík.

Most bloggers, tweeters and travel guides recommend winter wear even when traveling in the summer months. They are not wrong. At this time of year it is light all day but this does not mean there is constant sunshine.

Temperatures rarely exceed 23◦ C and are often much lower. The evenings are cool and it also rains a lot so waterproof clothing is considered essential. Dressing as you would for a typical Autumnal day in Northern England is a good rule of thumb guide. While I was there the temperature was a little chilly at an average of around 17◦ C  (I needed a hat!) but the air feels so good and pure.

Soon after arriving, I experienced a prime example of the pragmatism of the Icelandic people when I asked a tour guide if I needed rainproof clothing for a day excursion to The Golden Circle. She replied: “If it rains, yes!”

Town

A birds-eye view of Reykjavik

I can’t remember exactly when I began to get obsessed about the idea of going to Iceland but the wealth of amazing music coming from this small country was certainly a major factor. For this reason I has to pinch myself when the co-owner of the apartment I had booked turned out to be named Sigurrós. This is akin to a foreigner visiting Liverpool for the first time and being greeted by a John Lennon.

In just three full days I could only get a fleeting impression of the city. My sole out-of-town experience was confined to a memorable eight-hour excursion (with commentary in English & Scandinavian) to Geysir hot springs, the Gulfoss waterfall and the National Park (the Golden Circle).

Still, I’m happy to say that my spectacles remain as resolutely rose-tinted as they were before my trip. I’d love to return with more time and money to explore the whole island.

So, without further ado, here are some of my impressions :

The Icelanders.
The people are universally kind, friendly and nice. I saw an middle-aged man looking for a CD of local music being helped by a young female shop assistant who patiently explained what Indie music is without a trace of condescension. Continue reading

BEING STRANGE IN ICELAND

NAMES FOR THE SEA – STRANGERS IN ICELAND by Sarah Moss (Granta Books, 2012)

Sarah Moss is an Oxford University graduate who now teaches literature.

This book charts her experiences after being appointed visiting lecturer for a year at the University of Iceland in Reykjavik.

It tells of  the upheaval and culture shock after moving from her home in Canterbury with her two young sons and husband.

The  year (2009-10) coincided with the drama of the financial crisis (the Kreppa) and the travel chaos caused by the Eyjafjallajökull volcanic eruption.

This is not a travel guide to Iceland but one woman’s relatively modest experiences of trying (and largely failing) to immerse herself in a country whose citizens mostly prefer to keep themselves to themselves.
She makes no claims to this being anything more than a subjective viewpoint of a woman who is not  naturally gregarious or adventurous. She is philosophical about any errors it contains, reasoning that “part of being a foreigner is to be wrong”.

Her self-effacing personality is pleasantly unassertive at first but I soon found her coyness and false modesty irritating. “I’d make a terrible journalist”, she writes, but what is this book if it not an extended piece of journalism? After all, she includes chapters based on interviews which discuss the Icesave dispute, the national passion for knitting and whether or not elves are real.

I found the lack of a broader outlook frustrating. For example, she comments that restaurants are too expensive for public sector workers but doesn’t say (or can’t be bothered to find out) who can afford to eat out regularly.

The details of her day-to-day life in Reykjavik are at best sketchy and ,at worst, confusing. Her house husband is a strangely peripheral figure. She describes how the family moved into a newly built block of flat as the first (and only) residents then later makes a passing reference to neighbours without saying who they are and when they arrived.

As a legal alien myself (a ‘staniero‘ in Italy) I can empathize with her feelings of being forever on the outside looking in but her reluctance to be a pushy foreigner is ultimately debilitating to the story she wants to tell.

“Iceland has complexities so subtle that their existence is invisible to an inattentive foreigner” she says, and, on a linguistic level, this is exemplified by the fact that there is no Icelandic word for ‘please’ and a limited vocabulary of “rude words”.

Her refusal to mock local customs and attitudes (“I feel as if I’m not allowed to find things funny here”) is laudable but too often makes her observations blandly objective or just plain dull. Ultimately, she reveals herself as being a  master of the very English art of disapproving while maintaining a veneer of ‘niceness’ .

Moss expresses a disdain for casual tourists who get only a superficial perspective on history and culture but doesn’t really dig so much deeper herself. She is forced to admit that a more authentic insight in such a brief period of time is largely impossible:  “I want, I suppose, an unmediated Iceland, even though I know there is no such thing”.

Icelanders are criticised for their reckless driving but praised for their resilience and pragmatism. The absence of gender discrimination is another plus for the country although she hints that Icelandic men may have a brooding resentment against feminism that lies hidden behind closed doors.

Living on such an exposed and vulnerable island means that being at the mercy of the elements is taken for granted by and extreme weather is not something to grumble about or be afraid of. The locals grow up with an innate respect for Mother Nature.

I was left with the impression that Sarah Moss and the Icelanders share the characteristics of being both outward looking and insular.

LOAFING IN THE ARCTIC CIRCLE

FROST ON MY MOUSTACHE by Tim Moore (Abacus, 1999)

frost

I don’t read that many travel books but,if Frost on my Moustache is anything to go by, this is my loss.

The young Englishman’s Bill Bryson-esque account of a two month journey to the Arctic Circle in 1997 by boat and bike begins with an over long prologue, ends in an anti-climactic manner but,in between, contains plenty of very funny descriptions of his, often less than pleasurable, experiences.

The journey from Scotland to Iceland and then to the northernmost tip of Norway follows that of Lord Dufferin; an account of which Moore discovered in a book entitled Letters From High Latitudes first published in 1856 which his Icelandic wife had given him.

Wikipedia says that this book was noted for its “irreverent style, lively pace and witty commentary” so you can understand why Moore was attracted to it and why he was prompted to write an updated version.

Having lost his job with Teletext and finding himself at a loose end, Tim Moore was looking for something to shake himself out of a rut.

Though by no stretch of the imagination can he be described as a hardy traveller, he wants a break from his idle, sedentary lifestyle : “my motivation in replicating his [Dufferin’s] voyage encompassed a vague desire to achieve something notable for once”.

From the outset you are struck by Moore’s ornate, extravagant and self deprecating style. This for example, is how he describes his lack of adventurous spirit prior to undertaking this arctic trip: “it was impossible to find any residual spark of pioneering grit in the shrugging sneer that besmirched my bathroom mirror”.

He seems only moderately curious about Iceland or Norway; it’s something in himself he wants to discover. What is quickly apparent is that Moore’s preparations are woefully inadequate in terms of both training and equipment.

For the bicycle journey across Iceland (Dufferin and his team were on horseback), he is accompanied by his brother-in-law, Dilli who doesn’t seem to be much of an expert explorer either. Moore introduces one camping story thus: “Two incompetents pitching a tent in the rain is never going to be a brief or noiseless procedure”

On top of this, Moore suffers terribly from sea sickness, has a fear of heights and an innate aversion to any form of extreme activities. This makes for a voyage riddled with discomfort and embarrassment although with the consolation that recounting these experiences makes for a highly entertaining read.

The dry English humour combined with a heightened formality is very effective and often hilarious, as in this description of preparing to bathe in one of the outdoor hot pots
“People over the age of 60 are generally the only Icelanders with a less than fluent grasp of English, which was particularly unfortunate in this case as it rendered the gesticulations – pointing at my trunks with one hand and miming a vigorous frottage with the other – open to a disturbing variety of interpretations”

What this man is trying to impress upon Moore is the need for scrupulous cleanliness before taking to the waters. Misunderstandings like this make for a rich source of humour.

The title itself is the punchline to a joke in dubious taste about an Eskimo whose car breaks down while driving across the Tundra. A mechanic declares “Look like you’ve blown a seal, mate” to which the Eskimo replies defensively “No, it’s just frost on my moustache”. This joke goes down like a lead balloon with non native speakers who, not understanding the double entendre of ‘blowing a seal’ fail to appreciate the bawdy humour.

If you’re looking for detailed comparative descriptions of the landscape or a rose-tinted perspective on these Scandinavian countries, you are in for a disappointment. His verdict on Reykjavik is that it “is not lovely” while Norway is summarised pithily as being “like Iceland but with trees and a summer”.

Lord Dufferin as a young man.

As the journey unfolds, things don’t always go as he’d hoped. There’s an abortive trip to the volcanic island of Jan Mayen and he ends up at the “plainly horrid” Spitzbergen.

Moore regularly dips into the book that inspired it, quoting passages and comparing how the Lord’s journey compares to his Loafer’s imitation. He concludes that Dufferin is something of a bully and a braggart so comes to identify more with his gloomy and pessimistic valet named Wilson. This was a man who in appearance resembles boxing tycoon George Walker and, in character, put me in mind of the dour and fatalistic Frazer in Dad’s Army.

By the end he is happy to return to his life of loafing with his wife and family in London. He may not have been mentally enriched or physically fulfilled by his adventures but he achieved the objective of making a good book out of it.
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One of the chief reasons for reading this book was to continue my ongoing research about all things Icelandic in preparation for a long postponed trip to the land of fire of ice next year. So here is what I learned about Iceland and Icelanders:
• no Icelander owns an umbrella and they are reluctant to concede that the weather is ever bad.
• they are obsessed with purity and by what people think of them; their fierce independence borders on arrogance.
• they “adopt a highly ‘traditional’ stance to life choices such as vegetarianism and homosexuality”.
• three-quarters of the country’s wealth derives from fishing.
• 53% of the population believe in elves.
“more books per capita are read and written in Iceland than anywhere else in the world”.
“consumer crazes arrive and are instantly taken up by the entire population”.
• .visitors “are socially obliged to overdose on caffeine”.
“the Icelandic swimming pool is perhaps the nation’s finest institution”

 Any readers who are from Iceland or think they know something that Tim Moore does not, feel free to take issue with any of the above and/or tell me what you think I ought to know.

GOING BERSERK OVER ICELAND

ICELAND, DEFROSTED by Edward Hancox (SilverWood Books, 2013)

If I was commissioning a book about Iceland, I would want something that was more than a standard check list of places to visit and things to do.

I’d want a book that told me exactly why this small duck-shaped country is so unique, stunningly beautiful and how it comes to be blessed with the knack of producing so many stunning musicians.

And lo and behold, I don’t need to commission anything because Edward Hancox has just published almost exactly the book I’ve been looking for. The book was crowdfunded through kickstarter and hit the target in just six days, as clear an indication as any that I am not the only one looking for a book on this topic. Continue reading