Tag Archive: Republican politicians


INTERSTELLAR directed by Christopher Nolan (USA, 2014)

interstellerShould we stay or should we go?

Brion Gysin , the English-born painter and poet who introduced William S Burroughs to cut-ups believed that leaving the planet was the only thing that gave any purpose to life on earth; “we are here to go”, he said.

This perverse notion is one that Christopher Nolan and his brother Jonathan transform into the interstellar overdrive of their extraordinary cinematic vision – a space odyssey of epic proportions.

Reasons to go are indeed pressing since Earth is rapidly becoming uninhabitable with crops literally turning into dust. We are not privy to the precise reason for this state of affairs but Professor Brand (Michael Caine) alludes to humankind’s selfish tendencies as being a primary cause. This is also something Naomi Klein, in her book This Changes Everything, has rightly identified as a key factor in climate change.

If, as seems probable, the future of humankind is due to the largely man-made catastrophe of global warming, it begs the question as to how we are going to prevent fucking up another planet too. The mysterious Eureka solution that saves the world suggests that a last-minute reprieve is possible; a central message that is as delusional as it is dangerous. Continue reading

REPUBLICANS ON HORSEBACK

THE SEARCHERS directed by John Ford (USA, 1956)

Ethan Edwards

John Wayne as Ethan Edwards

With his self-centred arrogance masquerading as heroic individualism, John Wayne symbolises all the negative qualities of the white American male.

His distrust of groups and team work make him the embodiment of the Republican party philosophy whereby co-operative values and compassion for minorities are regarded as tell-tale traits of commie sympathisers.

In The Searchers, as in all his movies, he is the archetype macho man with a past he never speaks of, emotions he keeps hidden and serious anger management issues. He hates taking orders, doesn’t feel the need to explain himself and  never apologizes.

I suppose he’s not so far removed from the equally taciturn Clint Eastwood as ‘the man with no name’ in Sergio Leone’s masterpieces, but there’s a style and mystique around the spaghetti westerns that you don’t find in John Ford’s so-called ‘classics’. Continue reading