Tag Archive: Ravenna


SONIC TREMORS

When the disaster movie, Earthquake, hit cinemas in 1974  it boasted the then ‘revolutionary’ effect of Sensurround. This, audiences were promised, would mean that you would not only see buildings collapse and the city’s infastructure destroyed, you would also FEEL it.

Personally, I found the constant vibrations quickly lost their novelty value and I left feeling like a James Bond Martini, shaken but not stirred. I also had a splitting headache! 

I had similar feelings after a half hour solo set by Stephen O’ Malley at the Teatro Rasi in Ravenna. He was the opening act of  ‘Transmissions V’ a four day program of experimental sounds in and around the elegant Italian city that O’Malley has also curated. Continue reading

RICHARD BUCKNER IN ITALY

Richard Buckner’s one and only date in Italy (amazingly, his first ever concert in the country) is at the relatively modest Bronson Club in Ravenna.

He is backed by Sacri Cuori, a three-piece band from Emilia-Romagna – the location of this group explains the choice of venue. The band’s leader  – guitarist, Antonio Gramentieri – has been active in the region for a number of years, mainly at nearby Faenza with promoters Strade Blu. He has helped bring some class acts to the music starved region, mostly within the folk/alt.country genres – names such as Bonnie ‘Prince’ Billy, Howe Gelb, Devendra Banhart, Antony & The Johnsons, Steve Earle.

Sacri Cuori’s half hour support slot shows that they have picked up some pointers from such artists – their desert twang instrumentals would be well suited to a dusty American road movie. It’s a style that fits in well with Buckner whose past collaborations include a couple of albums with Giant Sand /Calexico’s Joey Burns and John Convertino.

Despite an unbroken run of superb albums from his 1994 debut Bloomed to this year’s Our Blood, Buckner still has cult status (i.e. too few fans). As a result there were only about 100 punters a Ravenna making for zero atmosphere.

Buckner and band seem unfazed by this and blaze through a set list  which includes the first seven tracks from Our Blood played in sequence  interspersed with other selections from his impressive back catalogue. Continue reading

olafurSad tunes are not always about heartache and loss. Ólafur Arnalds wrote  a tune called Poland after a nightmare journey in Eastern Europe. The combination of bad roads, too much drink and not enough sleep was his inspiration. Similarly Ljósið, which has many online admirers swooning over its melancholy beauty, was originally written as a commission for a TV commercial for bath tubs. (The piece was subsequently rejected on the grounds that it wasn’t dumb enough to be used in an ad).

This background to these two tunes was freely conveyed to an adoring audience at Ravenna’s Rocca Brancaleone – a beautiful open air setting under the stars perfectly suited to Arnald’s delicate tunes. These anecdotes help to take some of the preciousness out of the music and defuse any exaggerated air of ethereal mystery behind the simple compositions. Continue reading

BRING ON THE NUBILES

Perhaps unwittingly, but then again perhaps not, Bologna University are guilty of backing Silvio Berlusconi’s dumbed down and sexed-up representation of Italy in the 21st Century.

In the new poster campaign for the Polo di Romagna  the four branches of the University in this region – Ravenna, Forlì, Rimini and Cesena –  are represented by four sexy Caucasian  super-heroines – two blondes, two brunettes.  ‘Le Fantastiche 4’ are personifications of Berlusconi’s new Italy and a marked contrast to The United Colors of Benetton branding of mixed race harmony.

Herr B has shamelessly declared that Italy is not a multi-ethnic nation – a move motivated by the desire to label foreigners as enemies of the state and destroyers of liberty.

I’m a ‘straniero’ here myself but since I’m white and English that apparently doesn’t count. Africans and Eastern Europeans get a rawer deal. Instead of embracing diversity and looking for ways of implementing a humane policy of immigration the right wing  Freedom Party (sic) is bent on delivering  sound bites that kow-tow to Fascists and bigots.

On top of this, the recent exposure of Berlusconi’s harem furthers the principle that  beddable babes trump women with brains.

To use sex so blatantly to market higher education is indefensible at any time,  but is particularly misguided at a time when the sordid details of Berlusconi’s private life expose the rampant chauvinistic culture at the heart of his government.

Michael Gira sings for the sinners

Michael Gira – ‘Gira’ is pronounced as in ‘giraffe’ without the ‘ffe’  – is from the strum and holler school of rock.
On stage in Ravenna, his elegant, dignified bearing together with his courteous stage manners belie the fact that his songs are packed with raw emotion and barely concealed rage.

He sings of  blood , pain, sin, death, desire and, if you’re lucky,  brief glimpses of redemption.

 
Gira’s aura and passion would make him  an highly effective hellfire preacher with the capacity to terrorise a rapt congregation. Fortunately for us he’s on the side of the sinners of the world.

The songs struck me as not so much composed as wrenched from the dark depths of his psyche then thrust into the cold light of day, still pulsing and hurting.

His baritone singing voice can best be described as full blooded. What he lacked in vocal range he more than made up for with the power and directness of the delivery. When words failed he yelped and howled very effectively.

 A tune he described as a quiet song (Reeling The Liars In) contains lines about collecting skin and eating tongues. The volume may not be loud but the imagery most certainly is.

He played ten songs in all – see Last.fm here for the set list.

The two best songs he played were ‘Promise of Water’ and ‘Blind’. The latter he introduced as an “ancient ‘Swans’ song” and in it the first person narrator (a younger version of Gira himself?)  describes an unwillingness to  face  up to the violence and suffering he witnesses. Two lines that stood out for me were “I created a lie” and  “I was strong, clear-minded and blind”. The second line later switches ‘clear-minded’ to ‘self deluded’.

Promise Of Water combines a strong portentious beat with some more vivid imagery, this time of howling dogs and streets filled with blood. The song doesn’t lend itself to a tidy synopsis (in other words, I have no idea what it was about!)  but it’s fair to assume he was singing about more than feeling a little thirsty.             

After an hour on stage he bid us farewell saying: “I’d like to leave it there if I may – I feel I’ve done the best that I can possibly do”.    

It was just about the right length for music of this intensity. While Gira is not an artist whose records I could imagine listening to a lot, I was impressed by his stage presence and enjoyed the honesty of his performance.