Tag Archive: Forlì


GRASSCUT IN THE LOFT

GRASSCUT – Live at Diagonal Loft Club, Forlì, Italy 11th November 2015
grasscut

In Grasscut’s short nine-song set, the Brighton-based duo play the whole of one of the year’s best releases : Everyone Was A Bird. The odd one out is – Reservoir – from 2012’s Unearth.

In my review of this album for Whisperin’ & Hollerin’, I highlighted the subtlety and intimacy of this record. Perhaps inevitably, these qualities are hard to replicate in a live setting, particularly one where many punters are out for a drink and a chat rather than to listen to music.

Nevertheless, it is great to put a face to the songs and to personally thank Andrew Phillips and Marcus O’Dair for the music after the show. This studious looking pair are joined on stage by drummer Aram Zarikian.

The black and white homemade movies playing on a screen behind them is a nice touch in that it emphasizes how Phillips’ primary subject is the British countryside near his current home or from his childhood. Both in words and images, these are no dewy-eyed odes to nature. We see bleak yet beautiful Autumnal or Wintry landscapes peppered with electrical pylons and the ominous presence of a nuclear power station.

The absence of string instruments is quite a loss and the sampled voices, including the voice of poet Siegfried Sassoon, cannot be heard clearly but they still manage to convey the rugged charm of the melodies and richness of the language.

PLAID / M+A / CLARK – Villa Torlonia, San Mauro Pascoli, Italy

acieloaperto_12-giugnoIn the first of an excellent series of ‘a cielo aperto’ (open-air) summer concerts in Romagna organised by RetroPopClub, an impressive line up of three IDM electronica-orientated acts were given an hour each to strut their stuff.

London duo Plaid (Andy Turner and Ed Handley) opened proceedings with a solid but visually dull set. Two guys standing behind laptops is not the most thrilling spectacle at the best of times and the music was not dynamic enough to compensate for this. A few visuals were projected on the walls of the building behind but did nothing to hold the attention.

Local heroes, M+A from just up the road in Forlì put on a much more crowd-friendly show to warm up the atmosphere admirably. On record they are the duo M (Michael Ducci – vocals) and A (Alessandro Degli Angelo on keyboards). For the live show Marco Frattini adds some meaty percussion as a welcome alternative to soulless drum machines. Continue reading

CHRIS ECKMAN – Piazza Saffi, Forlì 9th May 2014

Chris Eckman (left) onstage in Forlì with Paul Austin.

One of the best things about living in Italy is that outdoor concerts and other open air events rarely need to be cancelled due to bad weather.

In the UK, washouts are frequent and music festivals often turn into mud baths.

This free show by Chris Eckman took place in the main square of Forlì in Emilia-Romagna on a pleasantly cool, clear evening. It marked the start of a new season of concerts organised by Strade Blu who in recent years have brought quality artists like Devendra Banhart, Steve Earle, Lambchop and Bonnie ‘Prince’ Billy to the region. The focus is mainly on folk or alt.country.

When he’s not playing solo, Eckman is part of The Walkabouts from Seattle and he was joined on stage by Paul Austin of that band. Austin played electric guitar backing to the Eckman’s earthy vocals and crisp acoustic guitar. Continue reading

novecentoBeing the nearest city to Benito Mussolini’s birthplace in Predappio, Forlì in Emilia-Romagna has the dubious honour of being forever guilty by association with the infamous Fascist dictator.

This makes it a fitting location for an exhibition of art and life in Italy between the world wars.

Novecento (the 1900s) in the elegant San Domenico gallery, is a comprehensive journey back to a period of time from 1918 up to 1943, the year of Mussolini’s death.

A reminder of the town’s past is on the stand near the ticket office. A leaflet, translated into English, invites visitors to explore the ‘Routes of modern architecture in the Fascist era Forlì’.

The political aberrations of Il Duce’s reign are most evident in the first rooms. It shows how the artistic movements of Futurism and Cubism and the propaganda of the times were eerily in synch with one another.

You sense the pride and spirit of optimism in works that celebrate a heightened sense of nationalism.

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A sedate image from the Fascist era : Felice Casorati’s ‘Ragazza in Colina’ (1929)

With the benefit of hindsight, it is easy to reflect how quickly such triumphalism can lead to the political aberration of totalitarianism.

The ambitious exhibition seeks to show how all aspects of life were touched by the ideology of this era with a comprehensive display of paintings, sculptures, architecture and fashions. The highlights for me were works by Felice Casorati, Giorgio de Chirico and Mario Sironi.

The aim here is focused on culture rather than politics but since creative expression never occurs in a vacuum you can’t view the works without reflecting on the oppressive system the artists lived under.

This looks like a good way to help cope with the Italian

election results:

Volunteers try out PSIO audiovisual stimulators at the  ‘natural living’ (!) show at Forlì, Italy.

LINK:
Psio mind booster