Tag Archive: kraftwerk


BACKTRACKING # 39 : We are DEVO!

Part of an irregular series of bite-sized posts about 7″ singles I own – shameless nostalgia from the days of vinyl. (Search ‘Backtracking’ to collect the set!)

DEVO – Mongoloid b/w Jocko Homo (Booji Boy, 1977)

Q: Are we not men? A : We Are Devo!

The title and content of the A-side is quite topical in view of the recent controversy over Ricky Gervais’ casual use of the word ‘mong’ on Twitter. I actually always regarded Mongoloid as the flip-side as Jocko-Homo seemed a lot catchier. The synthetic panic pop in the style of Talking Heads seems deliberately designed as an irritant and, if so, it works a treat.

You can’t hear it without picturing the band with nerdy dance routines, yellow jump suits, silly glasses which made them look like a tacky Ohio version of Kraftwerk.

There is some pseudo sci-fi bullshit behind the whole band concept that doesn’t really merit close investigation.

The single has a novelty value but musically it’s a mess. It ended up in my collection because high profile connections with Neil Young, David Bowie and Brian Eno raised my expectations that this was more than just hype.

“Every man, woman and mutant shall know the truth about Devo” is a line from the promo video and the sad truth is this is a very crap record indeed. “We’re pinheads all!” was an all too apt rallying cry.

ARTE Y PICO

Many thanks to Mrs Slocombe Regrets for awarding me this prize – I am not worthy! Had Peter not already got two statuettes in the bag I would have nominated this blog which not only chooses the same wordpress theme but whose tastes seem to uncannily mirror my own – it’s good to have a virtual soul mate.

Under the terms of the award I have to:
1. link the person who tagged you (see above) and publicise the Arte Y Pico blog to show the origin of this honor. (done)
2. tag 5 other bloggers by linking them(done)

Some winners have also added a list 5 unspectacular things about themselves which I have complied with. Continue reading

words and music : paul morley

Paul Morley

I wrote this just after reading P-A-U-L M-O-R-L-E-Y ‘s book in P.B. (pre-blog) 2003:
P
P is for pop. It’s also for poseur, pretentious and prat – all titles Paul Morley would hold his hand up to and be proud of.
A
A is for alternative music and ambient. It’s also for alphabet. ABC is good for writer’s block. A is for Autobahn which is German for motorway as well as a long playing record by a German robotic electronic rock band called Kraftwerk who in Morley’s (but not my) opinion changed the face of pop/rock forever.
U
U is for underground music and the universe. This is a book that refers in part to both of these U’s.
L
L is for lists. Lots of lists. This book is a list. “Music is a list of sounds and rhythms”. List makes up the first four letters of the word listen. L is also for Lucier. Alvin to his friends. Composer, if that is the right word, of the experimental voice recording ‘I am sitting in a room’ . L is for la la la la la la la la which is the key refrain to ‘Can’t get you out of my head’ by Kylie Minogue.
M
M is for memory. Because Morley cannot exactly remember if he has actually heard ‘I am sitting in a room’ by Alvin Lucier. As Brian Eno said of John Cage’s 4’33 of silence: “you don’t really need to hear it, you just need to know that somebody thought of it”. M is for music obviously and this is a book about music by a critic who loves alternative, underground music as much as he loves pop. M is for Minogue, Kylie to her friends and fans and for Morley the essence of pop. With ‘Can’t get you out of my head’ she produced a comeback and fame “even bigger and shapelier than the original fame”. Metal machine music is another favourite – Kraftwerk before Reed. M is for minimalism.
O
O is for obsessive because to say Paul Morley loves music is too weak. He obsesses. He obsesses at length – 359 pages to be precise.
R
R is for robots. R is for repetition. R is for repetition. Robots might dance to Kraftwerk. Kraftwerk might be robots. They may be rock stars. They may be driving in a supercool car in front of Kylie heading towards pop in the shape of a city
L
L is for more lists.
E
E is for electronic music. E is for Eno who is not a musician but who makes electronic music. He probably also makes lots of lists.
Y
Y for yes which a positive way to finish this particular list which is vaguely about a positive and occasionally witty occasionally frustrating occasionally tedious book which sets out to be and largely succeeds in being a new way to perceive what it is about music that makes the male of the species in particular become all obsessive and precious enough to want to list all the things he loves about it. Y is also for the second letter of Kylie who was once a female soap star and now a brand who prompted Paul Morley to come out of retirement as perhaps the greatest rock writer ever (in his opinion but not mine). Y is for young – which only comes once in a lifetime