Tag Archive: Jennifer Lawrence


DIE MY LOVE directed by Lynne Ramsay (UK/USA,2025)

By all accounts, the Scottish director Lynne Ramsay had to be persuaded that an adaptation of the debut novel by Argentinian author Ariana Harvicz was a project worth investing in. I think it shows. She brings her unique cinematic vision to the work but her heart doesn’t seem to be fully in it.

Martin Scorsese recommended the book to Jennifer Lawrence who chose Ramsay to direct her full-blooded rendition of a woman on the verge of a nervous breakdown. Lawrence is Grace by name but not by nature. She claws at walls, head butts mirrors, throws herself through a window and jerks herself off when her long suffering husband, Jackson (Robert Pattinson), doesn’t fuck her to order.

The precise cause of her mental illness is unclear. Some have speculated that she is suffering from a from of post-natal depression but this doesn’t seem right because her mood swings and manic energy are visible before her son is born. Bipolar disorder is another possible explanation which seems a little more credible. Her nymphomania also suggests attachment issues.

However you diagnose what’s going on with her, the rage and violence is there for us all to see, If there was an Oscar for self-abuse and unhinged craziness then Lawrence would win hands down. The redoubtable Sissy Spacek as her mom-in-law is a welcome stabilizing influence but no-one can pacify Grace.

Because we never get to know much about Grace’s back story and know very little of her husband’s background it is harder to fully engage with, let alone decipher, all the excesses.

Ramsay directs with verve and energy. The mood changes are bold. The soundtrack is loud. The cinematography is exceptional. But without a soul, the movie doesn’t generate any empathy or sympathy. In consequence, you watch in a state of morbid fascination much like you might witness an unfolding natural disaster on TV happening in a place you’ve never previously heard of.

The heartless horror of Mother!

MOTHER! directed by Darren Aronofsky (USA, 2017)
mother1

Beware of films with exclamation marks in the title!

“Mother! is a movie designed to provoke fury, ecstasy, madness, and catharsis, and more than a little awe”.  This verdict is from a review in Vox that Darren Aronofsky says ‘gets it’.

It culminates in an apocalyptic finale that works on the theory that nothing succeeds like excess. It is shocking in the sense of being shockingly awful.

If Aronofsky’s goal was to get under my skin he succeeded but, while I usually gain a perverse pleasure from mindfuck or body horror movies, this one left me cold and with feelings of distaste and repulsion. Continue reading

AMERICAN HUSTLE directed by David O. Russell (USA, 2013)

Following on his superb Silver Linings Playback, David O.Russell makes use of some of the same actors for this highly enjoyable yarn inspired by a FBI operation that went pear-shaped in the late 1970s; hence the pre-credits caption: “Some of this actually happened”.

The sting of a sting of a sting tale left me floundering to follow all the twists and turns of the plot so it’s probably a movie that benefits from a second viewing (I’m only glad I didn’t see it dubbed into Italian!).

Having trimmed down and worked out for The Fighter, Christian Bale has flabbed up for his role as Irving Rosenfield and is all but unrecognisable. With his dodgy hair piece and very 70s fashion sense, he looks like he’s adopted Frank Booth’s smart man disguise from David Lynch’s Blue Velvet.

As a slick con artist, his partner in crime is the seductive Sydney Prosser (Amy Adams) who pretends to be an aristocratic English woman Lady Edith Greensly because this sucks in more victims – desperate men in search of loans. Continue reading

SILVER LININGS PLAYBOOK directed by David O.Russell (USA, 2012)

After the sobering experience of watching Indonesian death squad leaders giving tips on how to kill communists in The Act Of Killing, I needed some light relief.

How about a nice Rom-Com?

I was cognizant of the fact that many films in this genre are simply not funny and most are plain dumb. Silver Linings Playbook, liberally adapted from a novel by Matthew Quick, is a welcome exception to this rule. It not only has a heart and soul but has a brain too.

The movie boasts a top class double act in the form of Bradley Cooper as Pat and Jennifer Lawrence as Tiffany. Both have a history of mental instability and possess bags of energy but poor social skills – “I don’t have a filter when I talk” says Pat, who suffers from bipolar disorder.

Tiffany, a self-proclaimed “ex-slut” is convinced that “humanity is just nasty and there’s no silver lining”. Pat, whose motto is ‘excelsior’, believes that if you get in shape and stay positive, the breaks will come. Continue reading

THE HUNGER GAMES directed by Gary Ross (USA, 2012)

Jennifer Lawrence as Katniss Evergreen

Katniss Evergreen takes aim.

As far as ‘young adult’ fantasy fiction is concerned, you only have to look at what a pig’s ear was made of the adaptation of Phillip Pullman’s Northern Lights for The Golden Compass to know that there’s never any guarantee that a great book will make a great movie.

So Suzanne Collins is probably pinching herself over the fact that director Gary Ross has brought her vision to the big screen with such style and assurance. Continue reading