Tag Archive: Howl


BRIDGE OF SPIES directed by Steven Spielberg (USA; 2015)

220px-bridge_of_spies_posterAs a self-confessed movie nerd I can’t get enough of the ironic post-modernism to be found in directors like David Lynch, Wes Anderson and Jim Jarmusch. I identify strongly with the cynical and often surreal gaze they direct towards the modern world.

In my book, The Coen Brothers fit squarely into this category so it comes as something of shock to find Ethan and Joel’s names (alongside British playwright Matt Charman) on the screenwriting credits for Spielberg’s very conventional drama. Apparently, their remit was to add some zip to a story which, with shades of Fargo, is “inspired by real events”.

Lawyer James B. Donovan played by Tom Hanks is the decent, upstanding all American family man appointed to defend the devious Russian spy Rudolf Abel (Mark Rylance) in what is initially conceived as little more than a show trial.

I suspect it is the Coens who came up with the best line in the movie when, in response to Donovan’s comment that Abel never seems to worry, the spy asks “Would it help?” This is funny the first time around, but when he poses the same question on two further occasions, it loses its novelty value. Otherwise, the script is tight and workmanlike although has none of the wisecracks or lively verbal exchanges you come to expect in Coen Brothers movies. Continue reading

GREIL MARCUS GATHERS MOSS

LIKE A ROLLING STONE – BOB DYLAN AT THE CROSSROADS by Greil Marcus (Faber & Faber, 2006)

Greil Marcus is a man of many words. His verbosity is not to everyone’s taste. Many readers have, with just cause, accused him of being deliberately obtuse and willfully pretentious.

At the same time, his scholarly writings on music and cultural history are well worth the effort since they are frequently illuminating and consistently insightful.

Bob Dylan, the man and his music, is a subject he comes back to time and time again; taking fresh aims at a moving target he knows will never be fully defined.

It is the very elusiveness of Dylan that makes him so intriguing.

In this book, Marcus tells the story of ‘Like A Rolling Stone’, charting the song’s origins and impact. He rightly identifies this as being more than just another rock song but, rather, a unique work of art more akin to an event. It may not have changed the world but it certainly set a new benchmark for what could be achieved in popular music. Continue reading

ADAM STAFFORD IN ROCKLAND

Cover to Imaginary Walls Collapse

Y’all Is Fantasy Island is not a name that rolls off the tongue easily and when this Indie band from Falkirk, Scotland split in 2010 few grieved and  many, myself included, didn’t even know they existed.

I came across them while reviewing the excellent new album by Adam Stafford who was the band’s lead singer and driving force.

Stafford has his own record label Wise Blood Industries (which I like to think was named after Flannery O’Connor’s sublime novel) and if you go to the label website you will find a link to a zipped file containing the complete works of Y’all Is Fantasy Island –  55 songs and 5 albums.

The cynic in me thought that if he was now giving all these away tracks they must have been crap so I was, to coin an overused phrase, blown away by how good they are/were. An album called No Ceremony is particularly impressive.

Sure, it is derivative (what isn’t?) but they have processed their influences in a way that sounds pretty dynamic to my ears. You can tell they had fully absorbed their albums of gothic alt.country like Songs:Ohio and Will Oldham’s various incarnations of Palace together with a healthy diet of Grunge. It will cost you nothing to take a listen for yourself.

And while you’re about it you really must near the aforementioned Adam Stafford solo album called Imaginary Walls Collapse and is out now on Song, By Toad Records. Continue reading