Tag Archive: Mark Rylance


BRIDGE OF SPIES directed by Steven Spielberg (USA; 2015)

220px-bridge_of_spies_posterAs a self-confessed movie nerd I can’t get enough of the ironic post-modernism to be found in directors like David Lynch, Wes Anderson and Jim Jarmusch. I identify strongly with the cynical and often surreal gaze they direct towards the modern world.

In my book, The Coen Brothers fit squarely into this category so it comes as something of shock to find Ethan and Joel’s names (alongside British playwright Matt Charman) on the screenwriting credits for Spielberg’s very conventional drama. Apparently, their remit was to add some zip to a story which, with shades of Fargo, is “inspired by real events”.

Lawyer James B. Donovan played by Tom Hanks is the decent, upstanding all American family man appointed to defend the devious Russian spy Rudolf Abel (Mark Rylance) in what is initially conceived as little more than a show trial.

I suspect it is the Coens who came up with the best line in the movie when, in response to Donovan’s comment that Abel never seems to worry, the spy asks “Would it help?” This is funny the first time around, but when he poses the same question on two further occasions, it loses its novelty value. Otherwise, the script is tight and workmanlike although has none of the wisecracks or lively verbal exchanges you come to expect in Coen Brothers movies. Continue reading

INTIMACY directed by Patrice Chéreau (UK, 2001)

intimacy-POSTERSex in movies or music videos is mostly more concerned with titillation than realism while in porn its primary function is stimulation.

The makers of Intimacy, based on a short story by Hanif Kureishi, adopt a less glossy and therefore more adult perspective.

In the movie, scenes of coupling are explicit, including un-simulated fellatio. Little is left to the imagination but, equally, nothing is particularly arousing.

On the contrary, the sex act is reduced to the level of a basic human need (like eating and sleeping but more energetic).

This is fucking not lovemaking and seems more akin to an act of penance than passion. Once the desire is satiated, words are unnecessary and the two go their separate ways arranging only to meet again the same day (Wednesday) the next week. Continue reading

Generics

Mark Rylance as Thomas Cromwell

We are still only in January, but the BBC adaptation of Hilary Mantel’s Wolf Hall is already sure to be one of the year’s TV highlights.

Costume dramas have long been the Beeb’s stock in trade and on the strength of episode one (broadcast on BBC Two on 21st January) this looks to one of their best for a long while.

It almost goes without saying that the acting is superb and I was particularly impressed by Mark Rylance as Thomas Cromwell.

What makes his performance so riveting is that, although he not physically imposing, he quietly manages to fill the screen and make you understand how such a man could have risen from humble beginnings , as the son of a blacksmith, to be one of the most influential figures in Britain.

The drama has a contemporary resonance in that you can well see how Cromwell’s instinctive Machiavellian skills also have a modern-day application. Continue reading