Tag Archive: Gillian Welch


ponoNeil Young says he’s not an audiophile but his Pono music device is surely destined to get most of the early adoration from discerning hi-fi enthusiasts.

Young’s pledge is that with he is saving a dying art form but lossy music and streaming sites are what most consumers have grown up with and persuading the masses that they need another format and dedicated player is a hard sell.

On top of that, the failure of the Super Audio CD (SACD) does suggest that there is at best only a relatively small market straining at the leash for high-resolution digital audio. Having said that, the huge success of the Kickstarter campaign means that Shakey’s brainchild should not be dismissed out of hand.

If all you want to listen to are ‘classic’ albums by established artists then Pono might be more appealing. But even though I love stuff like Highway 61 Revisited or Dark Side Of The Moon, these are not records I go back to that often. I’d much rather hear something new than go on some nostalgia trip. It remains to be seen how much of Pono’s music store will cater for marginal tastes.

Nevertheless, the video promo for the device does make me curious to hear what all the fuss is about. A series of star names are full of superlatives after having taken a ride in one of  Young’s vintage automobiles which is presumably fitted with a state of the art sound system. Though you ought to take what Mumford & Sons say with a pinch of salt, you begin to think there may be something in the Pono to when the likes of Beck, Rick Rubin and Gillian Welch sing its praises.

I don’t for a minute doubt Neil Young’s sincerity but my gut failing tells me that it is a product that has arrived too late in the day. I regard myself as more than a casual listener but even so my musical addiction is already well catered for by web services such as Spotify, Bandcamp or Soundcloud.  When on the move I’m happy with my iPod or smart phone and am prepared to accept a poorer sound for the convenience.

The proof of the Pono pudding will be in the hearing but I seriously doubt it will the game changer some are claiming.

2011 IN REVIEW : MUSIC

Cover images of my top 15 favourite albums of 2011.

2011 was without a doubt P.J.Harvey‘s year. Let England Shake was the best album  by a mile and her interviews and concerts confirmed her as an artist at the top of her game.

Otherwise, this was a year for renewing old acquaintances rather than making fresh discoveries.

The welcome return of Gillian Welch (and Dave Rawlings) was an event and the album proved well worth the eight year wait.

It was also a nice surprise  that Charalambides released another Kranky studio work, a belated follow-up to 2007’s Likeness and as consistently excellent as ever. Continue reading

THE RETURN OF GILLIAN WELCH

 This is my best surprise of the week.

Out of the blue comes a new Gillian Welch album.

Whatever roll Gillian was on in 2003, it all came to an abrupt and unexpected halt soon after. I’ve lost count of how many times I’ve searched for news of a follow up release and was on the point of giving up entirely.

Now, 8 years after Soul Journey, she’s back with The Harrow & The Harvest. Ten tracks with her wonderfully lilting voice with immaculately crafted songs – it’s like she’s never been away.

The notion of ‘timeless’ music has become something of a cliché but if ever there was an artist that fully merited this label, then Gillian Welch is that person.

Today she kicks off her US tour at the Cocoanut Grove Ballroom, Santa Cruz and I dearly hope she and partner Dave Rawlings add some European dates soon.

For a flavour of what to expect from the shows, check out the song ‘The Way It Goes’ performed on Conan on 28th June :

The high quality of Thom Yorke’s song writing for Radiohead tempts many artists to try their own versions but more often than not these fail to capture the magic of the original.

Peter Gabriel’s orchestral guitar-free revamp of Street Spirit (Fade Out) on his Scratch My Back album last year is practically unrecognisable from the stirring anthem-esque version on The Bends. It’s as if he is acknowledging the impossibility of the task and a few plaintive moans don’t carry the emotional weight he strives for. A brave attempt but a failure in my book.

Two covers that do work are both interpretations that translate the indie-rock into the genre of acoustic folk.

The stripped back makeover of Black Star performed live in 2005 by Gillian Welch and Dave Rawlings does what any great cover song should and makes you rethink the original completely. I hadn’t really fully appreciated the lyrics to this song about a relationship hitting crisis point before I heard this, but Gillian Welch delivers “the troubled words of a troubled mind” with a precision that captures the mood of quiet desperation perfectly.

Not quite in the same league, but impressive in its own way is Patrick Joseph and Lucas Martinez’ bold beats-free remodelling of Idioteque, one of the standout tracks from Kid A. Joseph is a young singer songwriter from Pittsburgh, Pennsylvania now based in LA, who has just self-released his debut album Antiques. Martinez is a guitarist from Pasadena, California. The track has not yet been released but according to Martinez’ Life Tracked In Sound blog, it will be out on an EP called Stranger’s Shoes this summer.

HOW OLD TIME COUNTRY IS LIKE PUNK

Gillian Welch

Gillian Welch, speaking on Radio Scotland’s ‘Brand New Opry’ (now ‘Brand New Country’) a few years back said:
“When I first heard old mountain music the first thing that hit me was the sound – the distinctive harmonies were sweet yet full force it didn’t sound weird to me – there was a lot of dissonance, a lot of balls out musicianship which is very similar to punk rock”

[Gillian Welch’s last album was ‘Soul Journey’ 5 years ago – a new album is long overdue but unfortunately as far as I know there’s nothing on the horizon]