Tag Archive: david bowie


TWIN PEAKS : FIRE WALK WITH ME directed by David Lynch (USA, 1992)

220px-twin_peaks_-_fire_walk_with_meIf Dune is David Lynch’s prize turkey, Fire Walk With Me, follows as a close second. It is significant that neither are included in the ‘select filmography’ in ‘Catching The Big Fish’, Lynch’s collection of anecdotal reflections on meditation, consciousness and creativity published in 2006.

After two seasons of Twin Peaks on TV, the plug was unceremoniously pulled by the network in 1991 to leave a sense of unfinished business. But much as I loved the show, the recent announcement that a new Showtime miniseries with Lynch at the helm is in the pipeline fills me with more trepidation than excitement. 25 years on, it will be tough to replicate the subtlety and surreal humour that made the small screen version so compelling

Further cause for concern stems from the dire movie spin-off of Fire Walk With Me. The wayward plot focuses on the events leading up to the murder of Laura Palmer leaving a trail of loose ends in its wake.

The movie substitutes cheap horror and seedy sex for anything more considered. Overall, you are left with the distinct impression that it is little more than an elaborate cut and paste job of half-conceived ideas. A bizarre cameo by David Bowie is one of many sequences that serve little purpose. Continue reading

CONFESSIONS OF A MILF

viv_albertineCLOTHES, CLOTHES, CLOTHES. MUSIC, MUSIC, MUSIC. BOYS, BOYS, BOYS by Viv Albertine (Faber & Faber, 2014)

I started this autobiography expecting a fun but frivolous account of the punk era. It is all that and more.

Viv Albertine was at the heart of the heady period in the late 1970s when the British establishment were running scared. The Slits were one of the many bands that were inspired by the so-called ‘filfth and fury’ of The Sex Pistols; four feisty females who were not about to let a lack of musical expertise hold them back.

Albertine was the guitarist in that band’s early years. I regret to say that I never did see them play live but I treasure the memory of first hearing them on a John Peel session – four tracks recorded in September 1977 that captured their ramshackle brilliance.

The book contains plenty of fascinating insights into the ordinary world that preceded and followed the extraordinary explosion of rebel yells. Continue reading

WHO’S THAT MAN? : BOB DYLAN AND MR. JONES

Today I spoke at a study group on the topic of A Ballad of a Thin Man by Bob Dylan. Here’s some of what I said:

bob-dylan-ballad-of-a-thin-manThe album Highway 61 Revisited was the first album of Bob Dylan’s that really made me sit up and take notice. The songs here were protest songs but were not overtly about unjust war, human rights or inequality.

This was a singer giving expression to his feelings in a manner I had not heard before. Even though his words are often obtuse, caustic and surreal there is, nevertheless, an unmistakable tone of someone who is not merely adopting a fashionably oppositional standpoint but stating something real, exemplifying an affinity for the power of language; what David Bowie (in Song For Bob Dylan) called “words of truthful vengeance”.

Like all great writers and artists, he urges you to see beyond the narrow confines of your own world. This form of direct communication through art is hard to explain to others. A poem, a painting or a novel can move us in ways that can often only be articulated in a formal, academic manner. Reducing emotional feelings to factual statements is satisfying on an intellectual level but somehow fails to capture the emotional impact.

This can help explain why after all the books and articles that have been written about Bob Dylan, he still remains an enigma. This is all the more remarkable in the age of the Internet where we are overwhelmed by information and analysis.

There is still no simple answer to the question:  ‘Who Is Bob Dylan?’ Continue reading

INSIDE LLEWYN DAVIS directed by Ethan & Joel Coen (USA, 2013)

Dave Van Ronk is to Bob Dylan what Antonio Salieri was to Mozart. Salieri was popular during his lifetime but his music is rarely performed now.

Van Ronk was a prominent performer in the Greenwich Village during the 1960s but is not so widely known now. Mozart’s genius is now taken for granted and despite having “a voice like sand and glue” (to borrow David Bowie’s words) Dylan is the most influential singer songwriter of all time.

Van Ronk had a pretty good voice, some decent songs but, until now, has been confined to a footnote in the folk history books; a nearly man popular only among purists. Ironically, his standing may now be reassessed following the Coen Brothers movie even though this is not billed as a bio-pic and the depiction of a struggling artist is far from glamorous. Continue reading

BOWIE IS STILL OUT THERE

bowieThe best line from the David Bowie documentary produced and directed by Francis Whately is from guitarist Earl Slick who said of the Station To Station period :  “It was out there – out there worked”. 

Bowie described himself as “one man against the world” and the film shows him as a collector of images and styles leaving it to other people to interpret what it all means. Continue reading