Tag Archive: Casey Affleck


THE KILLER WITHIN

The Killer Inside Me is a deeply unpleasant movie which is  hard to watch and impossible to enjoy.

Michael Winterbottom’s film is based on the 1952 crime noir novel by Jim Thompson and a remake of a badly received 1976 movie of the same name.

It  is the squalid tale of Lou Ford (Casey Affleck) a small-town cop and unrepentant killer. His love of classical music and clean cut exterior is sharply at odds with the dark sadistic nature within.

Affleck’s mumbled drawl is so pronounced that many of his lines are as incomprehensible as his actions.

He knows he’s mentally sick but just can’t help himself. Being a young witness to the beatings his mother was (apparently willingly) subjected to makes him numb to the suffering he causes others.

Spade Cooley’s country swing number ‘Shame On You’ is used as a kind of ironic signature tune but his calculated cruelty goes way beyond being merely shameful.

His colleagues are not the brightest bunch so he even gets away with killing a man while visiting him in a prison cell (they think it was suicide…doh!).

I haven’t read the novel but it is no surprise to learn that was written as a first person narrative, with Thompson attempting to unravel what goes on in the mind of a sadistic killer. Continue reading

GONE BABY GONE

“Good art doesn’t give answers it just asks the right questions”, so says novelist Dennis Lehane, best known as the author of ‘Mystic River’.

I’ve just seen the impressive movie adaptation of Lehane’s ‘Gone Baby Gone’ directed by Ben Affleck. Among the questions it asks are: ‘Is it right to carry out a summary execution on a paedophile and child killer or do such ‘monsters’ have a right to a fair trial?; ‘If a mother is a crack head, is it right to take her child from her without following legal procedures?’ ‘Is it ok to plant evidence to ensure you get a guilty verdict?’ Continue reading

JESSE JAMES AND THE COWARD

THE ASSASSINATION OF JESSE JAMES BY THE COWARD ROBERT FORD directed by Andrew Dominik (USA, 2007)

Brad Pitt is the star attraction of the movie but, as the full title suggests, the main focus is on the cowardly act of betrayal by Robert Ford. Ford is played by Casey Affleck who is kid brother to Ben and looks like a young David Byrne. He is perfect in the role of nerdy wannabe outlaw.

Anyone expecting an action packed yarn will be disappointed. You only have to hear the score by Nick Cave & Warren Ellis to get the languid and melancholy mood. By the time we see what remains of the James Gang, they are a spent force. After one last hold up the only way is down.

The brothers Frank (Sam Shepherd) and Jesse are estranged and the law is tightening its net. Jesse at 34 is a shadow of his former self and no longer the dynamic man of action whose daring deeds led to his mythical status and notoriety.

Usually I hate the use of a voiceover for anything more than an initial scene setting. In Scorsese’s Goodfellas and Casino, for example, this device struck me as intrusive and superfluous. In The Assassination of Jesse James however the poetic language , beautifully spoken by Scottish actor Hugh Ross, adds to the narrative of this elegiac western.

The screenplay as a whole, from the novel by Ron Hansen, is superbly judged as is the cinematography by Roger Deakens which gives the epic landscape a strangely claustrophobic atmosphere.

It’s a shade too long and the cameo performance by Nick Cave singing the Ballad of Jesse James looks out of place but overall this is a remarkably assured directorial work by Andrew Dominik. He recognises that you can create dramatic tension in a movie even when you know exactly how it will end.