Tag Archive: Bernardo Bertolucci


Mark Cousins
scenebyscene

In previous posts I have praised Mark Cousins’ epic  ‘Story of Film’ – both the book and the Channel 4 TV series.

Cousins has an encyclopedic knowledge of cinema and the gift of articulating his enthusiasm for movies.

This talent is also evident in interviews he conducted for the BBC Scotland between 1999 and 2001 in a series called Scene By Scene.

The idea, which originated at the Edinburgh Film Festival  through an interview with Sean Connery, was a simple one. Top directors and actors were shown clips from films they had made or appeared in and talk about the background to them.

Cousins is from Ulster and his Irish accent is often confused for Scots. From comments on various forums, it’s obvious that his speaking voice irritates the hell out of many. Personally, I find the sing-song quality charming but whatever you may think about how he talks, it’s hard to criticise him for the passion and preparation he puts into his work.

Television is so full of shallow chat shows or banal documentaries that tell you nothing, that it’s a pleasure to find someone who doesn’t insult or patronise the audience.

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SOCCER AND FASCISM

Cover of "The Conformist (Extended Editio...

IL CONFORMISTA directed by Bernardo Bertolucci (Italy, 1970)

In the 1970s, as I teenager, I conformed to my family expectations by supporting Walsall Football Club (which, for the benefit of American readers, is a ‘soccer’ team!).

Their stadium, Fellow’s Park, was walking distance from my grandmother’s home and the routine was that, every other Saturday afternoon, my mom and dad would drop me off outside the stadium. I would go to the match and then have egg and chips at Gran’s. My two elder brothers had done the same at my age.

For about three seasons I only missed a handful of home games despite the fact that Walsall were not, and still aren’t, a prestigious team. They survive in the lower divisions with moments of glory confined to the occasional good run in the FA Cup.My support was not dependant on them winning trophies but based on a loyalty that meant I stuck by them through thick and thin (mostly the latter!).

Most of my school friends claimed to be supporters of big teams like Manchester United or Arsenal but only ever watched their heroes on Match of the Day. They almost never went to actual games and I always told them that what they were doing was ‘following’ the team, not supporting them.

It’s very easy to cheer for a winning side and pledging allegiance to a soccer team can be broadly likened to maintaining a steadfast belief in a political cause.This is by way of a tenuous link to Bertolucci’s movie which is set in the 1930s. Continue reading →

IT TAKES TWO TO TANGO

LAST TANGO IN PARIS directed by Bernardo Bertolucci (France/Italy, 1972).

Paul shows Jeanne another use for household butter!

Paul finds religion as he shows Jeanne another use for household butter.

Pauline Kael is a critic I admire  but I have to agree to differ with her hyperbolic assessment of Bertolucci’s notorious movie as a masterpiece on a par with Stravinsky’s Rite of Spring.

This is a film that I would defend but don’t particularly like. Its power to shock means that is as controversial now as when it was made. Continue reading →