Tag Archive: Jonathan Demme


David Byrne live at the Ravenna Festival (Pala De André, 19th July 2018)

band in motion

The band in motion

Expectations for this show were raised when David Byrne announced that this was his most ambitious stage project since the celebrated ‘Stop Making Sense’ Talking Heads tour which has been captured for posterity by Jonathan Demme’s groundbreaking 1984 concert movie.

Fortunately, it doesn’t disappoint.

It is a visual and aural treat from start to finish not least because all the conventional trappings of rock gigs are radically reimagined and redefined. The show is based on the core idea of enabling singers and musicians to be mobile on an empty stage. Continue reading

Mark Cousins
scenebyscene

In previous posts I have praised Mark Cousins’ epic  ‘Story of Film’ – both the book and the Channel 4 TV series.

Cousins has an encyclopedic knowledge of cinema and the gift of articulating his enthusiasm for movies.

This talent is also evident in interviews he conducted for the BBC Scotland between 1999 and 2001 in a series called Scene By Scene.

The idea, which originated at the Edinburgh Film Festival  through an interview with Sean Connery, was a simple one. Top directors and actors were shown clips from films they had made or appeared in and talk about the background to them.

Cousins is from Ulster and his Irish accent is often confused for Scots. From comments on various forums, it’s obvious that his speaking voice irritates the hell out of many. Personally, I find the sing-song quality charming but whatever you may think about how he talks, it’s hard to criticise him for the passion and preparation he puts into his work.

Television is so full of shallow chat shows or banal documentaries that tell you nothing, that it’s a pleasure to find someone who doesn’t insult or patronise the audience.

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OFF FORMULA WEDDING

Anne Hathaway - a revelation.

You shouldn’t judge a movie by its title. ‘Rachel Getting Married’ sounds like a dumbed down feel good movie until you see that the director is Jonathan Demme. Not only has Demme directed top rate music movies with Talking Heads and Neil Young, he’s also got an impressive record of intelligent blockbusters like Philadelphia and Silence of the Lambs. You wouldn’t expect him to turn in a superficial comedy and fortunately he hasn’t.

As the title indicates, the plot is built around the wedding of Rachel. She’s actually tying the knot with the lead singer of TV On The Radio (Sidney is played by Tunde Adebimpe) and  has an eclectic guest list that includes quirky live folk singing from Robyn Hitchcock , samba rhythms from Cyro Baptista & Beat The Donkey, reggae from Congo Sister Carol East and a Middle Eastern band headed by Zafer Tawil. It’s a very  funky gathering but the spanner in the works is her sister Kym who has been given leave of absence from rehab to attend the ceremony.

In this role Anne Hathaway is a revelation.  I would never have imagined her delicate beauty in so harsh a role but her character is totally convincing. You feel sympathy for her without ever forgetting what a pain in the ass she is.

Demme, has described how he wanted to create an ‘off formula’  movie in the style of independent films he admires rather than sticking to the predictable mainstream narrative structure. The result has strong echoes of movie maverick Robert Altman for the way many scenes don’t really have a well defined beginning or ending but just happen. Apparently actors played out their roles, often using ad libbed dialogue, without knowing where the camera was or what was going to make it to the final cut. It could have been a completer shambles but the movie has a real spontaneity about it.

It does have feel good ending of sorts but without the Hollywood schmultz. Enough is left ambiguous as evidence that this is a film with balls and brains.

NEIL YOUNG – GOLD AND BLACK

Neil Young has always been one of those artists who is a benchmark for integrity; a performer who, like Dylan, has always remained aloof from the bullshit that goes with success and stardom.

Sure, he’s had some lean years and released some dud albums, particularly during the Reagan years, but he’s always  kept moving and been motivated by being true to himself rather than adapting to fit in with any one particular style or image.  In an interview with Nick Kent in the early 1990s , he said: “I’m someone who’s always tried systematically to destroy the very basis of my record-buying public…..that’s what’s kept me alive. You destroy what you did before and you’re free to carry on”. Continue reading