Tag Archive: Anthony Hopkins


The Father losing his leaves

‘The Father’ directed by Florian Zeller (2020)

Adapted by Florian Zeller’s acclaimed stage play, his debut as a movie director is every bit as devastating and memorable as I expected. Anthony Hopkins brings a depth to the role of a man suffering from dementia who by the end reveals to a nurse that he is “losing his leaves, the branches, the wind and the rain”.

This rare moment of self realisation follows many moments of confusion for him, and for us watching the movie. Zeller cleverly leaves many details unexplained and we, like the father, often don’t quite know where we are. What seems to be his own flat turns out the that of his daughter and we fully understand why the visiting nurses seem like threats to his independence.

Hopkins delivers a master class swinging from being a control freak to a man losing a grip on reality. This is a terrifying horror movie despite the absence of monsters. When the father complains “nobody tells me anything”, I cracked up because I heard the voice of my own mother.

The genius of this film is that it puts the viewer inside the head of the victim in a way that never seems manipulative or trite. This is fate that anyone approaching old age fears with good reason.

BY THE HAMMER OF THOR

THOR – THE MOVIE directed by Kenneth Branagh

"Me, Thor. You, Jane"

Thor is a pretty silly movie but the fact that is was directed by ex-luvvie Kenneth Branagh intrigued me as it obviously did Natalie Portman since she accepted the role of  astrophysicist Jane Foster  without even seeing the script.

Thor (Chris Hemsworth) is an arrogant hot-headed hunk who must learn some humility before he can inherit the  crown of Asgard or win the heart of the comely damsel.

In the process he has to contend with a scheming half brother and a demanding father, Odin, played by Anthony Hopkins.  He must also learn to wield the mighty hammer Mjolnir in a more appropriate manner if he is to conquer the frost giants.

As far as superhero implements go, the hammer is about as far from a concealed weapon as you can get and a hard object to handle without looking like a contender in an athletics event. Poor Thor does his best on the basis that a good superhero never blames his tools.

The family feud and power play have certain comic book Shakespearean aspects which Hopkins in particular exploits to the full. This might also account for why Branagh decided to direct the movie (that and a hefty financial incentive!)

The most watchable scenes feature  Natalie Portman who, like George Eliot’s Miss Brooke in Middelmarch, demonstrates she has “the kind of beauty which seems to be thrown into relief by poor dress”.  Despite her relatively drab wardrobe, she manages to look terrific; all the more irritating to see her swooning over Thor’s pumped up body (check out his workout tips). You’d hope she’d be be more discerning than this.

The best scenes of the movie are when the once mighty Thor is cast down to Earth hammer-less. The contrast  between Asgard and small New Mexico town is played out with some good deadpan humour.

It all ends with Thor gazing longingly down to Earth dreaming of Jane and wondering if he’s done enough to merit a sequel.