Tag Archive: anarchy


HIGH RISE directed by Ben Wheatley (UK, 2015)

high_rise_2014_film_posterIf this movie had met with universal critical acclaim or had achieved commercial success it would almost certainly have denoted its failure in artistic terms. Fortunately, therefore, it polarized the press and bombed at the box office.

J.G. Ballard’s novel (published in 1975) was meant as a morbid, provocative slice of entertainment designed to leave readers absorbed but seriously spooked. It begins arrestingly: “Later, as he sat on his balcony eating the dog, Doctor Robert Laing reflected on the unusual events that had taken place within this huge apartment building during the previous three months”.

This big screen adaptation has a similarly jarring impact since, in Ben Wheatley, we have a director whose mindset is every bit as warped as the polite but misanthropic English writer. Continue reading

Part of an irregular series of bite-sized posts about 7″ singles I own – shameless nostalgia from the days of vinyl. (Search ‘Backtracking’ to collect the set!)

CRASS – Reality Asylum / Shaved Women” (CRASS1, 7″, 1979)

“There are no words for my contempt” is a very ironic line in the context of Eve Libertine’s venomous rant entitled Reality Asylum.

She hardly comes across as a woman lost for words. The track is an uncompromising tirade of venom which she justifies in the sleeve note dated 28/5/79:  ” I need to exorcise myself of these things which have bound me in that powerful stranglehold of reverence for so long …… Can I really believe in this God of Masculinity, first in a long line of hideous male structures, (the church, the crown, the state, the family), and where do I stand in this order of power?”

Against a white noise backing, she accuses Jesus of (among other things) arrogance, violence, rape, self-righteousness, cowardice , warmongering and genocide.

It has to be said that she brings plenty of her own baggage to this topic. Dumping ALL the blame on Jesus strikes me as a bit harsh as he isn’t the misogynistic monster she portrays him as. She makes the mistake of branding him as guilty because so much oppression and so many atrocities have been carried out in his name. Her target is really religious (and all other) institutions but she seems to take on JC on the basis that the buck must stop somewhere. In the end she borrows a line from Patti Smith’s Gloria:  “Jesus died for his own sins not mine”. Continue reading