Tag Archive: Tom Cruise


Cruise risking life and limb for the UK film industry

An adoring audience, a fawning interviewer (Edith Bowman) and a prestigious award. Welcome to Cruise control in which the British Film Institute bowed to the Gods of populism and commercial cinema by awarding the BFI Fellowship to Tom Cruise “for his contribution to the UK film industry.”

You might well wonder how such a prize is justified for an actor who has never made a film with a British director (unless you count Stanley Kubrick as an honorary Brit).

The prize is rationalised by virtue of the employment opportunities Cruise has provided to special effects specialists for his ongoing Mission Impossible enterprise. A bit of a shoe-in I’d say although it serves the purpose of gaining positive publicity while giving TC a platform to tell the world what a genius he is.

Like he needs this!

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Mission Impossible 7 – Dead Reckoning Part One directed by Christopher McQuarrie (USA, 2023)

In MI7, multiple MacGuffins are imbedded within 163 minutes of action-packed nonsense which is designed to keep even the most severe ADHD sufferer fully engaged.

Its elaborate and deliberately confusing plot taps into two modern day fears : 1. That one day soon AI will come to dominate the world and,  2. That one day soon you won’t just misplace your house keys but lose them for good.

The mission for Ethan Hunt (Tom Cruise)  should he decide to accept it (when has he not?) is to retrieve one part of two-piece cruciform key that looks like it might unlock a  papal vault in Vatican City but  which, when united with its other half,  will allegedly enable access to world dominance. [Spoiler alert : you have to take preposterous premises of this kind of on trust].

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Watching Paul Thomas Anderson’s 1999 movie, Magnolia, for the second time confirmed that this is one of the real masterpieces of modern cinema.

After the critical and financial success of Anderson’s low budget ‘Boogie Nights’, New Line Cinema gave him carte blanche to do what he wanted for his next project. He rightly realised that this was a Citizen Kane moment that was unlikely to be repeated.  He abandoned any notion of restraint and gave expression to the blooming of ideas that make up the multi-faceted drama which is epic in scope and full of memorable scenes. His subjects are  BIG issues like dying, love, betrayal, regret, denial , guilt and truth. One of the key themes is expressed by the unknown narrator near the end – “We may be through with the past but the past isn’t through with us”. Continue reading