Tag Archive: sex pistols


ENTERING THE PiL ZONE

Public Image Ltd – the 2012 edition.

‘This is PiL‘ starts with a defiant burp and, as with the debut single by the post-Pistols band, it begins with a statement of self-definition. “You are now entering a PiL zone” we are informed – a kind of listener advisory; turn back now if you are of a sensitive disposition.

Actually the rants against moronic institutions, lost values and lying leaders are fairly mild; in one interview John Lydon/Johnny Rotten admits that lyrically there is more “soul-searching than asshole hunting”. Continue reading

Part of an irregular series of bite-sized posts about 7″ singles I own – shameless nostalgia from the days of vinyl. (Search ‘Backtracking’ to collect the set!)

THE SEX PISTOLS – Pretty Vacant  b/w No Fun (Virgin Records, 1977)

This is the third of the Pistols’ trilogy of iconoclastic singles which I gleefully purchased on release and played to death.

After this, the  too long-delayed  Never Mind The Bollocks! album was a bit of a let down, especially since it included all three hits (as Rotten proclaimed in another context : “ever get the feeling you’ve been cheated?”).

The fact that the band  were allowed to be seen performing the song on Top Of The Pops signified that the cultural assimilation process  had begun. (Hegemony In the UK!).

Still,  Rotten singing “va-cunt” on prime time TV was good value and designed to ruffle a few straight-laced feathers.

The B-side is a cover of The Stooges’ No Fun which opens with a sneering address to the nation promising a “sociology lecture….. with a bit of fuck-ology”.

It’s a warts and all first take recording wherein Rotten bluffs and ad-lib his way through the song (although the lyrics are by no mean complex) . The band manage to drag a three-minute garage rock tune to way past the six-minute mark as though they were emulating the much derided prog-rockers. No fun indeed!

Part of an irregular series of bite-sized posts about 7″ singles I own – shameless nostalgia from the days of vinyl. (Search ‘Backtracking’ to collect the set!)

THE SEX PISTOLS – Anarchy In The UK b/w I Wanna Be Me (EMI, 1976)

“It happens. you feel alien. You are other. Nothing in your culture, in your experience gets near what you feel. You want to be elsewhere. If you can’t be elsewhere, you want to see everything brought down. These thoughts explode in your head. You can’t sleep, you grind your teeth. You get migraines. You shake.
Then you walk into a room. You see or hear four people making a noise, playing the limits of electricity and the room’s ambient space: like a switch tripping, your life is changed forever. Out of nowhere, the terrain is cleared and the possibilities stretch before you.
This will happen only once, with that certainty”.

These lines are part of the sleeve notes by Jon Savage to Lipstick Traces, a compilation CD designed to be played alongside the book of the same name by Greil Marcus.

The four people in the room making the racket almost certain refers to The Sex Pistols. No other band, not even The Clash, had that effect

Without the single Anarchy In The UK, Marcus’ secret history of the 20th century would not have been written.

Without this record, and Johnny Rotten in particular, countless bands would have remained unformed and postwar popular culture might have continued on a downward spiral.

I might still be listening to albums like Tales From Topographic Oceans or Brain Salad Surgery.

It is hard to imagine, and as the years pass, it gets harder and harder to convince other people what an impact this record had.

Marcus notes Rotten’s demonic laugh and insolent way he not so much sang as hurled the lines into the world and writes of “a voice that denied all social facts, and in that denial affirmed that everything was possible”. Continue reading

Part of an irregular series of bite-sized posts about 7″ singles I own – shameless nostalgia from the days of vinyl. (Search ‘Backtracking’ to collect the set!)

THE CLASH – (White Man) In Hammersmith Palais b/w The Prisoner (CBS, 1978)

The mainstream hegemony is highly efficient and resistant to threats. It is hard to believe that less than two years before the release of this single, the folk devils were pounding on the door getting the establishment in a sweat.

Punk Rock was accused of demonizing the youth and the treasured social order was seen as being at risk. The tabloids railed against the filth and the fury on prime time TV. Where would all end? The Sex Pistols were the main whipping boys but they were seen as just the tip of a dangerous iceberg. Continue reading

Part of an irregular series of bite-sized posts about 7″ singles I own – shameless nostalgia from the days of vinyl. (Search ‘Backtracking’ to collect the set!)

Heaven 17 – (We don’t need this) Fascist Groove Thang b/w The Decline of the West (Virgin Records, 1981) 

“Have you heard it on the news about this fascist groove thang – evil men with racist views spreading all across this land”

Heaven 17 - we mean it maaaaaan!

History has a nasty habit of repeating itself. Apologists for fascism and genocide may be asserting the right to free speech but their comments need to be vilified in the strongest possible terms.

Danish film director Lars  (“I am a Nazi”) Von Trier claims he was only joking during the press conference at Cannes Film Festival when he said that he sympathises with Adolf Hitler.

He admits that Hitler “did some wrong things” and was “not a good guy”; banalities that must go down as the sickest and most misguided understatements of the year.

What Von Trier was really doing was to seek some cheap publicity to grab the headlines; he has achieved this but probably not in the way he envisaged. Who knows what was going through his head to make such crass remarks.

Some folks have come to his defence and argue that Jews should lighten up, but these were not comments against one race but against the human race.

I therefore dedicate today’s ‘Backtrack’ to Von Trier and would draw his attention to the lines “Hitler proves that funky stuff is not for you and me girl”. Continue reading