Tag Archive: John Lydon


I had tickets to see the Sex Pistols at Derby Kings Hall on 3rd December 1976 but this concert , and most of the band’s tour, was cancelled in the wake of the furore over the band’s infamous TV interview with Bill Grundy two days before.

I find it ironic that Derby was the venue for BBC’s Question Time where one time ‘enemy of the state’ Johnny Rotten (now plain John Lydon) was invited to air his opinions on topical current affairs issues.

Among the weighty subjects debated were bank fraud, the British citizenship test, proposed cuts in the UK armed forces, drug laws and whether Moors murderer Ian Brady should be allowed to starve himself to death in prison.

In true democratic fashion, Lydon was joined on the panel of ‘experts’ by one MP from each of the main parties and journalist Dominic Lawson. He was dressed in a designer boiler suit to denote his role as the wild card of the bunch, a calculated risk on the part of the Beeb to boost ratings and provide some much-needed contrast to the tedious party political mudslinging.

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PUNK BRITANNIA – BBC Four

Rock Britannia is yet another documentary series about the “filth and fury” of punk rock in the UK but this one at least has the virtue of putting the subject into a wider context.

There is still something ironic about the fact that this kind of sociological study is being conducted by the very institution that banned the first two Sex Pistols singles from the airwaves.  When ageing punk rockers look back and recall an oppressive climate of ultra conservatism in the 70s, let’s not forget that the BBC were ,and are, at the heart of the establishment that lend credence to such values. It’s only because three decades have passed that they can be sure that any revolutionary threat to the status quo has been quelled.

Part one (1972-76) focused mainly on the vibrant pub rock scene with bands like Brinsley Schwarz, Ducks Deluxe and Dr Feelgood.  The third and final part (1978 -1981) looked at the “refuseniks and malcontents” of ‘post punk’ which also got burdened with the more insipid label of  ‘New Wave’. This was worth watching alone for Gareth Sager of The Pop Group‘s assessment of that band’s sound as “avant-garde jazz meets King Tubby at the roots of hell”.

Among the numerous, and mostly legitimate, testimonies, Adam Ant featured prominently looking and sounding a bit of a prat. I’m at a loss to explain why he should be considered such an authority on the subject. I’m suspicious of a guy who so rapidly set aside any fledging anarchic tendencies to become a dandy pop highwayman.

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ENTERING THE PiL ZONE

Public Image Ltd – the 2012 edition.

‘This is PiL‘ starts with a defiant burp and, as with the debut single by the post-Pistols band, it begins with a statement of self-definition. “You are now entering a PiL zone” we are informed – a kind of listener advisory; turn back now if you are of a sensitive disposition.

Actually the rants against moronic institutions, lost values and lying leaders are fairly mild; in one interview John Lydon/Johnny Rotten admits that lyrically there is more “soul-searching than asshole hunting”. Continue reading

Part of an irregular series of bite-sized posts about 7″ singles I own – shameless nostalgia from the days of vinyl. (Search ‘Backtracking’ to collect the set!)

THE SEX PISTOLS – God Save The Queen b/w Did You No Wrong (Virgin Records, 1977)

While Anarchy In The UK may be the defining statement of Brit-Punk, God Save The Queen is the best Punk single ever. I still vividly  recall taking a sharp intake of breath as the needle hit the groove for the first time and the blast of rage-fuelled venom struck home.

Lyrically it is surprisingly sophisticated : “For when there’s no future, how can there be sin. we’re the flowers in the dustbin, we’re the poison in the human machine, we’re the future, your future”

With the iconic cut-up sleeve design by Jamie Reed this both looks and sounds like a statement of intent. The rejection of Royal Family in Jubilee year was symbolic of a trashing of the supposedly sacrosanct institutions that define the nation.

Johnny Rotten’s snarling “We mean it maaaaaaan” was and is also an unambiguous trashing of the Hippy dream – forget love and peace , screw Woodstock – the real New Age begins now. Continue reading