Tag Archive: Radiohead


GRIZZLY SWOT ROCK

Thanks to the popularity of their  current album, ‘ Veckatimest’ , Grizzly Bear are the latest band to challenge the top slot currently held by fellow Brooklyn-ers Animal Collective on of  my  New Weird America Last.Fm group chart .

They are not particularly ‘weird’ and, despite their name,  there’s nothing fierce or threatening about their music. On the contrary, their richly melodic and meticulously structured sound could almost be called cuddly – more ‘Teddy’ than ‘Grizzly’.  Pitchfork calls Veckatimest “compositionally and sonically airtight”.

Jonny Greenwood is a big fan and this helped the band to land a prestigious support slot on Radiohead’s North American tour in 2008.  There may be a cultural divide between these two bands, but they both inhabit the more studious strand of contemporary music – a kind of swot-rock.

Grizzly Bear are ostensibly an Indie band, albeit one whose pop/rock sound covers more territory than your average chart combo. The choral interludes, for instance, would not be out of place on Phillip Glass’ Koyaanisqatsi .

Animal Collective may retain the crown as number one New Weird crossover band but the widescreen pop of Grizzly Bear (along with similar groups like Fleet Foxes)  emphasises how modern day Americana makes a genre like Alt. Country look very outmoded.

GENRE BENDERS

spillers record shop

Musicians, like most artists, hate genre labels. Genres imply limitations and limitations imply restrictions. Artists like to feel they are free of restrictions; that their creativity should be constrained by arbitrary boundaries.

Journalists like genres because it enables them to classify and group artists to distinguish say a rock band from a soul group.

The wider the category the easier it is to make uncontroversial distinctions.

Few are likely to confuse rock music with opera, yet when Pavaroti performed with Elton John, should this be called pop, rock or opera. Is it a mongrel breed that needs another label – rock opera for example . But then that would put it in the same category with The Who’s ‘Tommy’ and ‘Quadrophenia’.

Record shops (ones that still survive!) place albums into sections on the grounds that a customer would otherwise have to sift through all the items to find music that they are looking for.

Even if you go into a store or want to browse online you don’t normally do so in a random way.

If you like Bob Marley you’ll look in the reggae section, if you like Son House you’ll go to The Blues, if you like Rihanna you’ll find her in Pop.

Most music magazines operate within limited genres, like Kerrang for heavy metal or Folk Roots for World Music. The Wire magazine prides itself in being different.

Continue reading

‘SEEING’ RADIOHEAD

radiohead LIVE

Up until Tuesday 17th June 2008 I had never seen Radiohead in concert. In many ways I still haven’t despite the fact that I was present at the first of their two Italian dates at the Arena Civica in Milan.wet tickets
I think it would be more accurate to say that I was in the stadium while Radiohead were performing.
To go as far as to say that I saw them would be like saying I have seen Saudi Arabia just because I saw that country once from the window of an airplane.
There were around 18,000 at the show braving the deluge that had been threatening all day but cruelly coincided almost precisely with the appearance of support act Bat For Lashes.
Continue reading

The vinyl delivery of 1010Radiohead

donkey delivery

RADIOHEAD’S radical experiment to bypass standard distribution methods for the delivery of vinyl copies of their new album IN RAINBOWS today encountered an unexpected hitch…

1010Radiohead download

PAY AS YOU PLEASE

THIS IS NOT A TEST

WE ARE NOT NUMBERS

WE ARE FREE POP STARS

WE ARE IN CONTROL OF OUR DESTINY

COMPLETE CONTROL – UNLIMITED SUPPLY (not from EMI)

DOWNLOAD AVAILABLE