Tag Archive: animal collective


Here’s my (mostly speculative) theory of how Prince Rama came into being:

  • Two sisters (Taraka and Nimai Larson) escape under cover of night from a Hari Krishna clan and find sanctuary in the home of an aging new romantic.
  • they  both go to art school in Boston.
  • they fall in love with glam rock after chancing upon a roommate’s extensive David Bowie collection.
  • the universe provides the Taraka and Nimai with gifts of a drum kit and synthesiser.
  • they teach themselves the rudiments of these instruments and begin copying tracks by Soft Cell, Siouxsie & The Banshees and Human League.
  • they soon become frustrated that all the best music seems to be old and made by stuffy Brits.
  • at a low point in their lives they briefly fall under the spell of Lady Gaga.
  • they are saved by hippy chick dropout from a nearby commune who introduces them to the all American Freak scene peopled by the likes of Pocahaunted, Zola Jesus, and Peaking Lights.
  • back in their bedroom and newly inspired, they produce a cacophonic stew where tone deaf singing and rudimentary drumming can be hidden under the mask of this being in tune with other DIY psychedelic -pop wannabees.
  • they name their band after a Hindu deity (the original name was Prince Rama of Ayodhya),
  • an impressionable friend of an impressionable friend gets drunk at a party and signs them to his label and they make a record which they describe as “mapping utopic space via the mandalic architecture of controversial visionary artist Paul Laffoley“.
  • Continue reading

ANIMAL COLLECTIVE’S ODDSAC

Oddsac is described as a visual album by Animal Collective and Danny Perez. It comes in DVD sized book pack containing caption-less photo collages that look like the result of a school project under the working title such as ‘Why I like Being Psychedelic’ .

Aside from members of Animal Collective, the cast list is headed by characters named Oozegirl (Kat Stroot) and Oozefigure (Kellie Jo Tinney) and according to the cast list also features a mother, father , five “SE kids”, four “foodfight girls”, one dog (Molly Durga Dibb), six characters called ‘fire’ and one fire coordinator.

The movie was premiered at the Sundance Film Festival in January  2010 and is the result of four years of collaboration between the band and maverick film director Danny Perez .

Perez cut his video-making teeth with another electronic/noise band from Brooklyn, Black Dice and first worked with Animal Collective on the video for  Who Could Win A Rabbit? in 2004. He has also directed the video for Summertime Clothes.

Do not expect to see an extended video here, however. In fact, you shouldn’t expect anything linear either . Someone described it as a “non-straightforward surrealist romp” which sounds about right. Continue reading

NEW UNDERGROUND MUSIC

madridIn the past, particularly in the sixties, underground music was a label given either to cult artists who were difficult to seek out or whose music could in some way be defined as oppositional to the establishment.

As critic Simon Reynolds points out in his excellent article for The Guardian, these former definitions are no longer convincing as a new generation of fans consume and conceive of music in a wholly different ways.

When I was a lad, if I read about some obscure new band in the New Musical Express, the only way to hear what they sounded like was to track down the vinyl or hope that John Peel would play them on his radio show. Nowadays such enlightenment is just a mouse click away. This is a double-edged sword. On the one hand, it reveals to us some amazing ‘hidden’ sounds while on the other hand the sense of mystery is lost. As Reynolds points out,  you can’t keep secrets for very long on the Net – the worldwide web is a free for all community.

Personally,  the accessibility of all this marginal music has opened by ears to a wealth of possibilities and re-ignited my enthusiasm for sounds which can’t be neatly packaged within narrow boundaries. It has confirmed my loathing for the nostalgia peddled by glossy adult orientated mags like Mojo and Word. This pseudo rock academia merely panders to the post 30 something listeners who get a hard on for whatever they got their collective rocks off to when they were 18.

The fact that legal and illegal downloads makes limited edition or deleted titles available to the masses doesn’t make this music for the masses. Whenever there’s a choice between easy and ‘difficult’ listening, the vast majority of consumers opt for the former. The mainstream media may have expanded enormously in the past decade but it is still largely unable to grasp the true value of anything that cannot be readily compartmentalized or easily packaged for a target audience.

This is exemplified by the rise of the so-called ‘weird’ music of  drone, noise, new psychedelia and free folk which has thrived in spite of being largely ignored by the mass media. The smart press have belatedly acknowledged ‘overground’ artists like Animal Collective, Devendra Banhart and Joanna Newsom but have largely ignored the fact that these represent only the tip of massive iceberg.

I agree with Reynolds that the old definitions of ‘underground’ music no longer carry much weight in the same way that to describe artists as ‘alternative’ or ‘indie’ is ultimately meaningless. I take comfort from the knowledge that the best music is still out there in the margins rather than festering in the mainstream.  This may be easier to locate than it was half a century ago but this doesn’t mean that it’s any more palatable to the lumpen masses . To my ears the counter cultural edge has not been entirely blunted. There is still a healthy minority who oppose the disgusting normalness of modern culture and look to music to communicate a truth and vitality that squeaky clean X-Factor wannabes will never satisfy.

The underground is dead – long live the underground!

GRIZZLY SWOT ROCK

Thanks to the popularity of their  current album, ‘ Veckatimest’ , Grizzly Bear are the latest band to challenge the top slot currently held by fellow Brooklyn-ers Animal Collective on of  my  New Weird America Last.Fm group chart .

They are not particularly ‘weird’ and, despite their name,  there’s nothing fierce or threatening about their music. On the contrary, their richly melodic and meticulously structured sound could almost be called cuddly – more ‘Teddy’ than ‘Grizzly’.  Pitchfork calls Veckatimest “compositionally and sonically airtight”.

Jonny Greenwood is a big fan and this helped the band to land a prestigious support slot on Radiohead’s North American tour in 2008.  There may be a cultural divide between these two bands, but they both inhabit the more studious strand of contemporary music – a kind of swot-rock.

Grizzly Bear are ostensibly an Indie band, albeit one whose pop/rock sound covers more territory than your average chart combo. The choral interludes, for instance, would not be out of place on Phillip Glass’ Koyaanisqatsi .

Animal Collective may retain the crown as number one New Weird crossover band but the widescreen pop of Grizzly Bear (along with similar groups like Fleet Foxes)  emphasises how modern day Americana makes a genre like Alt. Country look very outmoded.

A TERRIBLE INUNDATION

OLYMPUS DIGITAL CAMERAWhat connects a little Dutch boy, an unknown American writer, and Animal Collective’s new album?

To answer this you first need to read an excerpt from the legend of Hans Brinker, the story of an 8 year old Dutch boy , also know as The Hero of Haarlem:

Just as he was bracing himself for a run, he was startled by the sound of trickling water. Whence did it come? He looked up and saw a small hole in the dike through which a tiny stream was flowing. Any child in Holland will shudder at the thought of a leak in the dike! The boy understood the danger at a glance. That little hole, if the water were allowed to trickle through, would soon be a large one, and a terrible inundation would be the result.

The boy spent a freezing  night with his  “chubby little finger” thrust in the hole until he was discovered the next morning and feted as a hero for saving the town from certain flooding.

This tale originates from a short story from 1865 by an obscure American writer Mary Elizabeth Mapes Dodge.  It has become a popular folk tale although, ironically.  not in The Netherlands.  A statue of Brinker was erected in the town of Spaarndam in 1950  largely as a sop to American tourists.

I remember being taught this story while at primary school. I forget the moral but I suppose  the symbolism of the boy’s bravery and quick thinking was meant to prove that even when the odds are stacked against us, courage and determination can save the day!

So what , you may cry, is the Brinker link with  Animal Collective’s  ‘Merriweather Post Pavillion’?

The story came to mind following the leak of this record – a trickle that has quickly become a flood!

As you will almost certainly know, this much anticipated album, the band’s 9th full length, is scheduled for CD & digital release by Domino Records on  January 20th (Jan. 12th UK/Europe).  This is preceded by a deluxe vinyl release and a series of listening parties to milk the buzz as much as possible.

While i-tunes will carry the album,  members of the other big legal downloading site e-music  has been told that the release is likely to be delayed, presumably with the aim of boosting sales of physical copies of the record.  I guess they count on eager fans hot footing to their local record store (if they can find one!) or get a copy mail order from on line dealers.

Then again, you could simply download a copy from a p2p site like Soulseek or e-mule!  Actually you don’t even need to be savvy with these share sites because a patient search surf of music blogspots will pay dividends too.

Purists may argue that the sound quality of these mp3s is no match for the original vinyl/cd version. This may be so, but given that the vast majority of us listen to music on portable devices or bog standard stereos this is hardly likely to be off putting.

The ease with which you can find (illegal) copies of newly released albums has escalated over the past decade.  I used to buy an average of 10 Cds a month but now I may download this many in a day!  It gets to be a drug as the more you listen to, and read about new bands, the more connections you find.

Animal Collective did better than most in plugging the dike until December 31st.  The fact that the leak came on this date is evident form the ‘New Weird America’ group on Last.Fm which I set up in 2005.  Up until then the number of those listening to the band was on a par with Radiohead (who always top most of the Indie music related group sites).  The new year figures showed a near doubling of the listeners and if you go to the Animal Collective page on Last.Fm it shows that the top listens are all tracks off the new record.

The urban myth of Hans Brinker may show that one flood can be halted but when it comes to flooding the Internet with leaked music, the record companies are fighting a losing battle.

I’d be surprised if ten years from now CD purchases have anything but a marginal impact on record company  revenue.

I hereby confess to having Merriweather Post Pavillion on my hard disk. (I’ve also burned a copy to listen to in the car). Very nice it is too.

I apologise to Geologist, Panda Bear and Avey Tare of Animal Collective  for depriving them of some of my hard earned cash but I sleep a little easier with the thought that I have actually paid money for four of their previous albums and I even bought a T-shirt from their stand at a show they did in Bologna two years back!

So what is the moral to be drawn from all this?

While you may stop a flood with a chubby finger in Holland you can’t stop a Tsunami wave in Cyberspace!

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to inundate (verb) inundation (noun):
1. To cover with water, especially floodwaters.
2. To overwhelm as if with a flood; swamp

e.g.:- If the water were allowed to trickle through, a terrible inundation would be the result.
-The theater was inundated with requests for tickets.
The internet was inundated with leaked copies of Animal Collective’s new album.