Tag Archive: Punk Rock


RENEGADE : THE LIVES AND TALES OF MARK E.SMITH by Mark E. Smith with Austin Colling (Penguin Books, 2008)
markesmith_renegade

I can visualise ghost writer Austin Collings lining up the pints of beer and whisky chasers in a Manchester pub then setting up a recording device in front of Mark E.Smith.

I doubt that any overly active conversational skills would have been required since one gets the distinct impression that his subject operates best in monologue/ranting mode.

In more or less chronological order, Smith catalogues his life and times as chief hirer and firer of The Fall “for people who are sick of being dicked around”. Continue reading

CONFESSIONS OF A MILF

viv_albertineCLOTHES, CLOTHES, CLOTHES. MUSIC, MUSIC, MUSIC. BOYS, BOYS, BOYS by Viv Albertine (Faber & Faber, 2014)

I started this autobiography expecting a fun but frivolous account of the punk era. It is all that and more.

Viv Albertine was at the heart of the heady period in the late 1970s when the British establishment were running scared. The Slits were one of the many bands that were inspired by the so-called ‘filfth and fury’ of The Sex Pistols; four feisty females who were not about to let a lack of musical expertise hold them back.

Albertine was the guitarist in that band’s early years. I regret to say that I never did see them play live but I treasure the memory of first hearing them on a John Peel session – four tracks recorded in September 1977 that captured their ramshackle brilliance.

The book contains plenty of fascinating insights into the ordinary world that preceded and followed the extraordinary explosion of rebel yells. Continue reading

PUSSY RIOT , A PUNK PRAYER   directed by Mike Lerner & Maxim Pozdorovkin (Russia, 2012)

PussyRiotAPunkPrayer-Poster

This HBO documentary follows the highly publicised show trial of Nadia, Masha and Katia, the three members of the feminist punk band Pussy Riot who were arrested for their part in the very public disruption of the holy mass at Moscow’s Cathedral of Christ the Saviour in February 2002 and who were subsequently sentenced to three years in a penal colony.

The film opens with a quote from Bertolt Brecht: “Art is not a mirror to reflect the world, but a hammer with which to shape it” which immediately reassures us that it will be justifiably weighted in favour of the women’s cause. Interviews with their parents help us to understand their background to the protest while humanizing their stories.

orthodoxyordeath

In the interest of balance, however, the filmmakers also give ample space to the case for the prosecution. There are interviews with angry members of the church wearing T-shirts proclaiming ‘ORTHODOXY OR DEATH’  who look like greying doom metal fans.

One web site once took Pussy Riot to mean “an uprising of the uterus” but an offended worshipper states on film that “deranged vaginas” would be a more apt translation. 

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wilMax Raptor are back!  Here they are putting  plenty of shouty attitude into their latest state of the nation address, a single entitled  Breakers is out on Naim Edge records and available now at all the usual outlets.

It’s a taster for a full length album entitled Mother’s Ruin scheduled for release on 30th September 2013.

I have a vested interest in the band becoming global superstars since the cute lead singer is none other than my nephew William, or Wil Max to all you punk rockers out there!

PUNK BRITANNIA – BBC Four

Rock Britannia is yet another documentary series about the “filth and fury” of punk rock in the UK but this one at least has the virtue of putting the subject into a wider context.

There is still something ironic about the fact that this kind of sociological study is being conducted by the very institution that banned the first two Sex Pistols singles from the airwaves.  When ageing punk rockers look back and recall an oppressive climate of ultra conservatism in the 70s, let’s not forget that the BBC were ,and are, at the heart of the establishment that lend credence to such values. It’s only because three decades have passed that they can be sure that any revolutionary threat to the status quo has been quelled.

Part one (1972-76) focused mainly on the vibrant pub rock scene with bands like Brinsley Schwarz, Ducks Deluxe and Dr Feelgood.  The third and final part (1978 -1981) looked at the “refuseniks and malcontents” of ‘post punk’ which also got burdened with the more insipid label of  ‘New Wave’. This was worth watching alone for Gareth Sager of The Pop Group‘s assessment of that band’s sound as “avant-garde jazz meets King Tubby at the roots of hell”.

Among the numerous, and mostly legitimate, testimonies, Adam Ant featured prominently looking and sounding a bit of a prat. I’m at a loss to explain why he should be considered such an authority on the subject. I’m suspicious of a guy who so rapidly set aside any fledging anarchic tendencies to become a dandy pop highwayman.

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