Tag Archive: The Oscars


SPOTLIGHT directed by Tom McCarthy (USA, 2015)

 oscarometro2016spotlightHoly shit! Never has this exclamation carried more significance.

Based on actual events (isn’t everything?), the shit uncovered by the Spotlight team of fearless reporters of the Boston Globe at the turn of the Millennium indeed had the holiest of stenches.

The Roman Catholic priests in Boston who molested and abused young boys and girls turned out the be the tip of a dung heap of global proportions. As the credits roll, the printed list of subsequent cases found in parishes around the world is enough to make Jesus and the rest of us mere mortals weep.

Anything which widens the scope of the negative publicity against the hypocritical church establishment is welcome but I doubt that the Pope is quaking in his satin slippers after seeing this lackluster movie. In toning down the sensationalist elements of the story, it becomes more of a celebration of investigative journalism than a full-blooded indictment of this holy disorder. Continue reading

PUSSY RIOT , A PUNK PRAYER   directed by Mike Lerner & Maxim Pozdorovkin (Russia, 2012)

PussyRiotAPunkPrayer-Poster

This HBO documentary follows the highly publicised show trial of Nadia, Masha and Katia, the three members of the feminist punk band Pussy Riot who were arrested for their part in the very public disruption of the holy mass at Moscow’s Cathedral of Christ the Saviour in February 2002 and who were subsequently sentenced to three years in a penal colony.

The film opens with a quote from Bertolt Brecht: “Art is not a mirror to reflect the world, but a hammer with which to shape it” which immediately reassures us that it will be justifiably weighted in favour of the women’s cause. Interviews with their parents help us to understand their background to the protest while humanizing their stories.

orthodoxyordeath

In the interest of balance, however, the filmmakers also give ample space to the case for the prosecution. There are interviews with angry members of the church wearing T-shirts proclaiming ‘ORTHODOXY OR DEATH’  who look like greying doom metal fans.

One web site once took Pussy Riot to mean “an uprising of the uterus” but an offended worshipper states on film that “deranged vaginas” would be a more apt translation. 

Continue reading

A SEPARATION written and directed by Asghar Farhadi (Iran, 2011)

It may be politically sensitive at the moment for the U.S. to acknowledge anything good coming out of Iran, but if there is better foreign language movie to deny A Separation an Oscar then I really would like to see it.

It is common for successful ‘foreign’ movies to be remade in the cinematic lingua franca of English but one of the strengths of Asghar Farhadi’s film is that, while its themes are universal, it is nevertheless imbedded in Iranian culture.

Can you imagine an American actress phoning a religious help line to find out if it is sin to change the soiled clothes of an old man suffering from Alzheimer’s?  Would a Western audience be convinced that swearing upon the holy book would cause such trauma?

Equally, there are not many movies anywhere in the world that would so powerfully raise issues surrounding truth, justice, honour, sin, mercy and guilt.

Nothing in the movie suggests that the Iranian regime is any more repressive than other countries although you can fully understand why an intelligent young woman like Simin would find the theocratic system intolerable. Continue reading

THE DESCENDANTS directed by Alexander Payne (USA, 2011)

Dad & daughter : Matt + Alex (George Clooney and Shailene Woodley)

This movie has won over most American critics and also looks likely to win George Clooney an Oscar for his role as affluent property lawyer, Matt King.

But while it’s a warm-hearted, highly watchable film, it is far from being the classic it’s made out to be.

As a mid-life crisis movie it is not in the same league as Payne’s earlier films (Sideways + About Schmidt) and I tend to agree with one of the dissenting critics, Rex Reed of The New York Observer, who described in as “a soap opera with Hawaiian shirts”.

I also hated the soundtrack of Hawaiian music which is at best mildly irritating and at worst a major intrusion.

The story is of a lost,and soon to be lone, parent confronted by pressing life choices.

Matt’s  wife, Liz, has had a motorboat accident and she is now in a coma with no realistic hope of recovery. As a result, Matt  has the full charge of  his daughters Scotty and Alex aged 10 and 17. This is a big responsibility and a major headache since  both girls are wayward, rebellious and practically unmanageable. His problems are compounded by the fact that Alex’s boyfriend Sid comes over as a stoner nerd from hell. Continue reading

For  first time ever I have seen all the movies nominated in the best picture category in this year’s Oscars. I therefore feel I can not only offer my opinion on who should win the high-profile awards but also add a few extra categories of my own.

Best sex scene – The Kids Are Alright – Lesbian Jules (Julianne Moore) temporary lapsing to get it on in raunchy scenes with sperm donor Paul (Mark Ruffalo) .

Best swearing – The Kings Speech – Colin Firth as King George VI finds his voice to show that even Royalty can swear like troopers when the need arises.

Best use of a foreign language – Toy Story 3 – Buzz Lightyear returns to default settings to become Spanish Buzz with hilarious consequences. Continue reading