Tag Archive: Pulitzer Prize


Orphans and masters

THE ORPHAN MASTER’S SON by Adam Johnson (First published by Random House, 2012)

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This is the story of a survivor who has nothing to live for.

Pak Jun Do is a North Korean John Doe and by all accounts a model citizen of a shitty nation.

Adam Johnson’s Pulitzer Prize winning novel illustrates that when living within ideological systems it is too easy to get stuck between a rock and a hard place. Hegemony functions to make any way of life appear to be ‘normal’ and/or beyond reproach.

Johnson asks plenty of loaded questions such as to whether it is nobler to be devoted to the ‘dear leader’ (Kim Jon II) of North Korea than to cling to an often elusive American dream. No middle way is offered. Continue reading

ALL THE LIGHT YOU CANNOT SEE by Anthony Doerr (Fourth Estate, 2014)

 "Open your eyes and see what you can with them before they close forever"

 51mfo0a70zl-_sx331_bo1204203200_This engrossing novel follows the parallel lives of a young German boy (Werner Pffnig) and a young French girl (Marie Laure) caught up in the mayhem and confusion of the second world war.

The novel’s year zero is 1944 and the complex yet brilliant plotted story shifts back and forward in time.

Short chapters give the urgency of a thriller yet patiently piece together the threads that briefly and movingly bring these two blighted lives together.

Doerr unsentimentally shows us how ordinary lives are corrupted by the horror of war.

One of the real strengths of the novel is that our sympathies lie with both of the main characters even though conventionally speaking they are mortal enemies and Werner is alined with the morally depraved Hitler youth. Continue reading

THE GOLDFINCH by Donna Tartt (Little, Brown, 2013)

After her two previous bestsellers, Donna Tartt is in the enviable position of being able to call all the shots with any publisher.

She is like an esteemed movie director who knows her work is never going to be subjected to unwanted cuts.

Moreover, she has established herself a writer who works slowly and meticulously, preferring quality to quantity.

A book every decade is her current rate of production and she expresses no desire to change this. She says she’ll be content if her life work consists of five big novels.

Constant rewriting and self editing are among the reasons why she is not more prolific. In a recent BBC interview, Tartt describes how she decided to scrub 8 months work after realising she had taken the plot down a wrong track.

You can well imagine why, after labouring for so long, she would resist any further editing suggestions. However, I can’t help feeling that this degree of total control is a double-edged sword. The Goldfinch is a novel that cries out for some bold editing and in my view it is at least 200 pages too long. Continue reading

BIRD CLOUD – A MEMOIR OF PLACE by Annie Proulx (Scribner, 2011)

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Annie-ProulxPlace is a major part of Annie Proulx’s writing and life. Everything begins with the landscape.

However, as a  feature in The Guardian notes, she is scornful of the adage that you should write what you know. She has said: “All it produces is tiresome middle-class novels of people who I think are writing about things they know, but you wish to God they didn’t”.

Proulx is a late learner and was a thrice divorced 53 year-old woman when she wrote her first collection of short stories (Heart Songs). Five years later came her Pulitzer-prize winning novel The Shipping News. The film version of her short story Brokeback Mountain introduced her to an even wider audience.

My collection of Annie Proulx's books.

My collection of Annie Proulx’s books.

I am a big fan of her fiction and have made a point of buying any book of hers I see but this one turned out to be a big disappointment.

It is the account of an ambitious but ultimately misguided building project. The profits from her belated literary success was ploughed into what he hoped would be her dream home built on wild prairie land near a dramatic cliff in 640 acres of Wyoming, the least populous of the United States. Continue reading

SWERVE IT LIKE LUCRETIUS

THE SWERVE by Stephen Greenblatt (Vintage, 2012)

This Pulitzer Prize winning book is “the story of how the world swerved in a new direction” when  enlightened thinkers began to reject religious delusions in favor of humanist principles. The book’s subtitle is , according to which edition you read, either ‘how the Renaissance began’ or ‘how the world became modern’.

Harvard professor, Stephen Greenblatt argues persuasively that the foundation for much of the meaningful progress we take for granted  stems from the epic poem ‘De rerum natura’ (On the Nature of Things) by Lucretius which was written in the 1st century BC and rediscovered by an Italian book hunter named Poggio in 1417.

Greenblatt shows that Lucretius’ radical beliefs provided a vital alternative to the dark, deluded dogma which decreed curiosity to be a mortal sin and viewed pleasure as a vice.

Lucretius’ totally rejected the assertion that redemption would only come through abasement.

The inherently random swerve of the title is thus defined as “an unforeseen deviation from the direct trajectory” and “a source of free will”. Lucretius is portrayed as a key agent of change in the human pursuit of beauty that reached a peak during the Renaissance. Continue reading