Tag Archive: Nabokov


ARE YOU READY TO WRITE YOUR NOVEL?

Vladimir Nabokov in writing mode

“So now he is ready to write it [his novel]. He is fully equipped. His fountain pen is comfortably full, the house is quiet, the tobacco and the matches are together, the night is young… and we shall leave him in this pleasurable situation and gently steal out, and close the door, and firmly push out of the house, as we go, the monster of grim commonsense that is lumbering up the steps to whine that the book is not for the general public, that the book will never never——And right then, just before it blurts out the word S E, double-L , false commonsense must be shot dead”

From “The Art of Literature and Commonsense,” by Vladimir Nabokov (Read the complete essay here)

THE BOOK I READ : LOLITA

The fourth in a series of 13 book reviews from my pre-blogging years.

LOLITA by Vladimir Nabokov (1955)
lolita-book-cover

Lolita continues to draw its share of critics because it deals with a sexual relationship between a middle-aged man and a 12-year-old ‘nymphet’ without taking then easy option of moralising or sensationalising the story.

The novel examines the desires of the lonely and slightly pathetic Humbert Humbert but pointedly refuses to present him as a pervert or a monster.

Nabokov’s neutral tone is what exasperates and antagonizes those looking for any excuse to label the novel as depraved and obscene.

The Russian born author also writes so brilliantly that the story is vivid, believable and disturbing. He doesn’t need to write lurid sex scenes to convey the true nature of the man’s fatal attraction to the young girl. Continue reading

NABOKOV : LAUGHTER IN THE DARK

LAUGHTER IN THE DARK by Vladimir Nabokov

I ask myself where lust comes from / Is it something to use / Or to overcome” Lyrics by Matt Johnson from The The’s ‘Bluer Than Midnight’ on the album ‘Dusk’

nabokovThere is no laughter but plenty of darkness to be found in this sadistic and mean spirited novel which Vladimir Nabokov originally wrote in Russian in 1933 (he did his own English translation five years later).

As a life spirals out of control, Nabokov lingers upon premeditated evil as a source of entertainment. This trait according to Craig Raine, in his after word, is why many regard Nabokov as a “connoisseur of pain”. The short novel dwells on human weakness in the face of lust and the capacity for cruelty motivated by greed.

None of the small cast of characters has many redeeming qualities and so it’s hard to feel any sympathy for their fates. Continue reading