Tag Archive: Matt Smith


STARVE ACRE : a novel by Andrew Michael Hurley (First published by Dead Ink Books, 2019), a film by Daniel Kokotajlo (UK, 2024)

“What you go searching for and what you find aren’t always the same”

When you look for hope you can find horror or, in the case of Starve Acre, Folk Horror.

This term was first coined by The League of Gentleman’s Mark Gatiss and this flourishing subgenre is currently undergoing a major cinematic revival.

The film version of Andrew Michael Hurley’s sinister novella will add to the popularity of this moniker which is as uniquely British as Hammer Horror was in the 1960s.  It will also encourage the belief  that darkness lingers below of surface of  the apparently idyllic British countryside just as surely as Lynchian nightmares lurk behind white picket fences of middle America.

Andrew Michael Hurley’s distinctive third novel is a book about grief and a couple trying to overcome a personal trauma. The catalyst is that Richard and Juliette Willoughby’s 5 year old son, Ewan, has died suddenly in mysterious circumstances.

This tragic event occurs after the married couple’s move from the city (Leeds) to a house in the Yorkshire Dales inherited from Richard’s recently deceased parents. The new home is described as having three storeys of heavy stone, shuttered windows and a “utilitarian black” front door.

Heavy, shuttered and black? What could possible go wrong?

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THE CROWN Season 1 – Netflix TV Series written and created by Peter Morgan (UK/USA, 2016)

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If you ever get me on the subject of the Royal Family it won’t be too long before you hear words like ‘leeches’ and ‘parasites’ or  me expressing the view that The Sex Pistols’ ‘God Save The Queen’ would make a better national anthem for the UK.

My wife and I therefore began watching season 1 of The Crown on Netflix more out of morbid curiosity than out of any real expectation of viewing pleasure.

I was waiting to see how many layers of superficial dross and gloss would be applied in order to present HRH in a positive light. But the opening scene of King George VI coughing up blood (red not blue!) signals that creator Peter Morgan has something else in mind. Continue reading

In both The Gruffalo’s Child  and Dr Who (The Doctor, The Widow & The Wardrobe) a child follows tracks in the snow into a dark wood. They leave the safety and security of the ‘normal’ world, venturing away from the bosom of the family into an unknown zone.

As we know from Grimm’s Fairy Tales, Blair Witch, Twin Peaks and X-Files you enter this sort of densely wooded area at your peril. They are often places of mystery and evil and more likely to be cursed than enchanted. As such, they are an effective metaphor for the shadow side of the human psyche while preying on our fear of things that go bump in the night and a hidden evil ‘out there’.

Since both these BBC ‘Christmas treats’ are tailored for a younger audience, the fear factor is mild and the endings are reassuring to the point of sentimentality. Continue reading