Tag Archive: Marvel movies


In defense of movie superheroes

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What’s this shit they’re writing about me on the internet?

The hyped backlash against Marvel superhero movies means these films stand accused, amongst their other sins, of being produced solely to make a handsome profit.

This manufactured outrage all stems from a casual comment by Martin Scorsese claiming that this brand of blockbusters are not ‘real cinema’. Frances Ford Coppola and Ken Loach have since weighed in to back up this elitist viewpoint.

Well, correct me if I’m wrong, but hasn’t box office success been one of the prime motivations among filmmakers for time immemorial.

Of course, they’ll always be a minority of auteurs who put merit before money but they face the problem that art for art’s sake doesn’t pay the bills. The arguments of Scorsese and crew are spurious and are akin to claiming that bestselling books by Dan Brown or J.K. Rowling are not real novels. Your may not like them but that doesn’t change what they are.

Even though corporate branded franchises inspired by Marvel  (and by extension DC comics) spawn as many turkeys as triumphs this doesn’t justify trashing the whole genre. Dark Knight, Black Panther, Thor: Ragnarok and Joker are examples of movies that win audiences (and make money) without dumbing down the content.

There will always be a need for a steady supply of low culture for highbrows just as there will always be those who snobbishly regard all mass entertainment as beneath them.

FANTASTIC BEASTS AND WHERE TO FIND THEM directed by David Yates (UK, 2016)220px-fantastic_beasts_and_where_to_find_them_poster

The spirit of Mary Poppins is not dead; it’s just been Marvellised. The bottomless bag this time around contains not household fixtures but numerous gremlin-like creatures.

The ‘beasts’ of the title are harmless if handled by a nerd but destructive in unscrupulous hands. Eddie Redmayne as Newt Scamander plays up the role of an awkward Brit for all its worth to the point that he looks half retarded most of the time. The plot device of hooking him up with a ‘no-maj’ (American for muggle) in the portly shape of Jacob Kowalski (Dan Fogler) provides a welcome foil to his gormlessness.

JK Rowling further demonstrates her instinctive empathy with tormented adolescence through the invention of the ‘obscurus’, a black cloud of malevolence unleashed when children feel anger and discomfort. In addition, a literal witch hunt provides more of the requisite villainy but it is the anarchic antics of the beasts that steal the show. Continue reading