Tag Archive: Eminem


UNFUNNY PEOPLE

Funny People lasts a torturous 2 hours and 26 minutes and and most of the time doesn’t even know if it wants to be a drama or a comedy.

It is set in the world of American stand up.  George Simmons (Adam Sandler) is a comedy actor who is diagnosed with leukemia but then takes experimental drugs and makes a miraculous recovery . He shares the ups and downs of his illness with a budding comic Ira Wright  (Seth Logan) who he employs to write jokes for him and keep him company.

This relationship makes for a buddy movie of sorts. At one point Simmons tells Ira – “I have no close friends, you’re the closest friend I have and I don’t even like you”.  Ira tells George he’s the only person he’s met who has learned nothing from a near death experience.

The movie features a bunch of guys playing themselves who are probably well-known to an American audience but for a limey like me, I only knew Eminem and James Taylor.

The stand-up routines rely heavily on fart or cock jokes and are very lame. The script too often mistakes crudity for  ‘humour’ .

The high level self-indulgence extends to  director Judd Apatow casting his wife (Leslie Mann) and kids which drags the film out needlessly.   45 minutes shorter would have made for a much tighter movie but not any funnier or more dramatic.

What the movie tells us is no particularly mind blowing and can be summarised as follows:

  • Being a comedian is a serious business.
  • Getting rich and famous means you get laid a lot but fucks up your social life.

AMS rating (out of 10) –  3

Lame-o-meter rating – High.

LOST REVOLUTIONARIES

REVOLUTIONARY ROAD directed by Sam Mendes (USA, 2008)

On ‘Lose Yourself’ Eminem rapped that we have just one shot – one opportunity. Fundamentally , this is also the premise upon which Richard Yate’s book and Sam Mendes’ movie is based.

It strikes me as simplistic –and a little depressing –  to argue that we have just a single make or break chance to find a fulfilling direction in our lives. We have to seize chances when they arise but I prefer to think  that these are not necessary one-off, make or break occasions.

In ‘Revolutionary Road ,  April Wheeler (played by Kate Winslet), decides that a move to Paris ,Europe is her one shot escape route. She dreams of starting afresh – replacing desperate housewifery for a life less ordinary.

She temporarily manages to persuade her sceptical hubby (Leonardo Di Caprio) but a tempting promotion offer and an unplanned pregnancy destroys the pipedream and, ultimately, their marriage.

Winslet was apparently blown away by Yates’ novel when she read it while she was expecting her first child to director Sam Mendes.

Mendes says that even if he wasn’t  married to her, she would have been first choice and it’s hard to argue against this. Winslet captures her character’s mood swings brilliantly .

This is more than can be said for Di Caprio. He has never convinced me that he is an actor with the physical stature or gravitas to portray such complex adult roles.

As Martin Scorsese’s blue-eyed boy some have likened Di Caprio  to De Niro but to me he’s more like the new Tom Hanks.  He plays parts efficiently but there’s never any sense that he is taking risks.

It’s still a good movie for all that,  largely because the claustrophobic world of  1950s suburbia is so perfectly evoked.  Sam Mendes is a major league director because he knows when to let images speak for themselves rather than diluting them with explanatory dialogue. The scenes of massed commuters and compartmentalised offices have a resonance akin to King Vidor’s silent classic ‘The Crowd’ while shots of April Wheeler doing household chores are enough to convey the barrenness of her life.