Tag Archive: BBC


Is everybody happy?

Catching the latest three episodes of the BBC 2 sitcom Grandma’s House made me sorry that I missed the first season.

Simon Amstell. an openly gay struggling actor from a Jewish family, plays the part of  an openly gay struggling actor from a Jewish family.  No prizes for guessing how he and co-writer Dan Swimer came up with the idea.

It’s got all the makings of a boring, safe comedy or a self indulgent mess but works because, like in Mike Leigh’s plays and films,  you cringe in recognition of the characters .

Simon isn’t a great actor but manages to work this handicap into the part – “I’m stiff in real life”, he says at one point. He comes over as vulnerable and likeably dysfunctional.

Rebecca Front is particularly good in the role of  his mom Tanya, defending him (“he’s rich in soul”) while wanting him to be more sorted out and assertive. There can’t be many moms who tell their sons they should masturbate rather than meditate. Continue reading

BIRDSONG: LOVE AND SLAUGHTER

BIRDSONG directed by Philip Martin (BBC Television drama, 2012)

Clémence Poésy (Isabelle) and Eddie Redmayne (Stephen)

The last WWI veteran Harry Patch wrote the following in his memoir, The Last Post:
“We were soon back in the trenches …..our living conditions there were lousy, dirty and unsanitary….. there were rats as big as cats, and if you had any leather equipment the damn things would gnaw at it. We had leather equipment – and they’d chew it. If you stood still long enough they’d chew your boot laces”.

How can you hope to capture such horrors of warfare for TV or cinema and still make it watchable?  The answer is that  you can’t. The most you can do is suggest the kind of atrocities the soldiers had to endure and leave the rest to your imagination.

Nevertheless the lack of a single rat in this otherwise impressive three-hour BBC adaptation of Sebastian Faulks’ much-loved novel set during WWI is suspicious.  It may be reasonable to eliminate such ugly details but there is no doubt  that what remains is a sanitized version of reality. Continue reading

2011 IN REVIEW : TV

My TV year started very late. On principle, I watch as little Italian TV as possible. I prefer to follow the advice of the graffiti in the photo: ‘Turn off the TV and turn your brain back on’.

Up until November, the only way of watching UK TV was to travel to Britain. But thanks to the Hide My Ass app  I can now encrypt my  internet activity and travel virtually to  access online channels from most countries.

As an Englishman, my main interest is in BBC, ITV and Channel 4. The latter is the where I have discovered this year’s highlights. Continue reading

INSIDE FACEBOOK

This sign says 'facebook'.

The last thing Facebook needs is more publicity but this is mainly what we get in the lame  one hour BBC documentary presented by Emily Maitlis.

When not displaying her range of chic leisure wear, Maitlis seems starstruck by being in the presence of Mark Zuckerberg. When she’s shown around the Facebook offices she is introduced to Zuckerberg’s chair : “that’s his hoodie” she gushes.

The ‘rare interview’ with the man itself is brief and unrevealing. He tells us how ‘cool’ and ‘awesome’ the social network is and doesn’t have to deal with any awkward questions.

She interviews colleagues and supporters and visits connected businesses. These all  confirm the awesomeness of Facebook .

Maitlis’s shallow analysis of what has made the company so popular includes telling us how easy it is the make friends and ‘like’ global companies (as if we didn’t know). Continue reading

Part of an irregular series of bite-sized posts about 7″ singles I own – shameless nostalgia from the days of vinyl. (Search ‘Backtracking’ to collect the set!)

THE BEATLES – Hello Goodbye b/w I Am The Walrus (Parlophone Records, 1967)

500px-i_am_the_walrusAt the impressionable age of 9, The Beatles filled my musical world. John, Paul, George and Ringo seemed like exotic family members I never got to meet but were ever-present.

Up to the time of Magical Mystery Tour their songs had always been accessible and hummable. When you heard them they made you feel good in a pure, uncomplicated way.

Nothing about them was in any way threatening which is probably why Mom and Dad so easily embraced them as a positive influence. The brisk, easy-going charm of Hello Goodbye typified the freshness and immediacy of their melodies.

All this explains why the b-side to this single came as such a shock. Continue reading