Category: Good causes


Asian Dub Foundation made the inspired decision to use a brilliant anti-UKIP sketch by UK’s best stand up comedian Stewart Lee to make a danceable statement against bigotry.  

The anti-racist message, coupled with the fact that all profits go to the Kent Refugee Action Group, is directly aimed at the narrow-minded xenophobes celebrating Brexit.

Comin’ Over Here launched a courageous (and ultimately successful) bid to knock off the fetid mainstream fodder of Ed Sheeran and Mariah Carey off the coveted number one position on the January 1 ITunes & Amazon download charts.

Lee admits that, as a 52-year old man delivering his definitive rant, he felt like Alan Bennett fronting Public Enemy but can now boast to his kids that during the Covid War he heroically mimed to Anglo-Saxon poetry in an empty warehouse.

Who amongst us can say they did as much?

 

 

When asked why I don’t join groups, I have been fond of citing Groucho Marx’s much-quoted quip that he refused to join any club that would have him as a member. This is a good line but a glib answer to a serious question. As often tends to be the case, the truth is more complicated.

It is not that I am opposed to those who join together in the name of good causes or in the pursuit of a more harmonious society. Anybody who is prepared to stand up for their beliefs deserves praise and should not be subject to cynical sniping. I accept that there is something innately reassuring about finding kindred spirits who share your world view.

So why don’t I join these noble tribes in a quest to put the world to rights?

One reason is that I have also had a marked tendency towards misanthropy.  I have read and fully acknowledge Rutger Bregman’s more charitable view of Humankind but I can’t wholly endorse his conclusions. I find myself more inclined to agree with the sentiments expressed in Nick Cave’s song ‘People Ain’t No Good’.

Another cause of my aversion to groups is my innate shyness. Put bluntly, people make me nervous! But I don’t think this is a unique or unusual feeling. Practically everyone is shy in certain situations and if they are not, they are usually the types who lack the social graces and reject accepted notions of civilized restraint.

But I think it is the common characteristics of many groups that are the main reason I stay clear of them. I would maintain that even the most fervent campaigning organisations can turn into less radical gatherings. What begins with an expression of revolutionary zeal can easily subside into cosy discussions over tea and cakes, wondering why the rest of world are not as enlightened and intelligent as you are.

But, I hear you mutter, the people united will never be divided. Heartening as this platitude may be, it is more often the case that corporate power retains its strength through unity. Social uprisings can lead to positive change but they can also result in greater suppression and tighter restrictions. In recent years, populism as an expression of collective power has morphed into state-led regimes that resemble totalitarianism.    

To stand against ‘herd mentality’ is as much of a defiant social act as bonding together under the warm glow of comradeship. I applaud the naysayers, the rebel rousers and the iconoclasts but I also value contrariness above clubbiness. That’s why I don’t join groups.  

THE OVERSTORY by Richard Powers (W.W. Norton, 2018)

This great society is going to smash;
They cannot fool us with how fast they go,
How much they cost each other and the gods.
A culture is no better than its woods.

W.H. Auden – Bucolics Part II – Woods (1953)

51-zvpnlixl._sy291_bo1204203200_ql40_The pitch for this remarkable novel, winner of the 2019 Pulitzer Prize in Fiction,  is that it follows the converging stories of nine people who are transformed by the emergence of tree consciousness.

In the first section called ‘Roots’ there are separate back stories, more like fables, which introduce the reader to these diverse characters. The following three sections – Trunk, Crown & Seeds – show how these lives interconnect.

Significantly, none of them start out as political activists but each, for different reasons, feel moved to act out of a sense of moral outrage over the way our eco-systems have been, and are still being, destroyed for the sake of economic gain.

The book has 9 humans and over 300 named trees; the latter are in many ways the real protagonists. Powers wants us to appreciate the interdependence between humanity and the inanimate world. In an interview at Shakespeare & Company bookshop in Paris, he poses the question: “What if the living world sets patterns that we have to accommodate?” Continue reading

WIDOWS directed by Steve McQueen (UK,USA 2018)

widows_282018_movie_poster29There are many reasons why the best TV series are more rewarding and creative than most current movies and Steve McQueen’s latest feature film illustrates why.

There’s something deeply unsatisfying and frustrating about seeing a complex, multi-layered plot condensed into just over two hours. A story divided into one hour episodes can take its time building nuanced characters and the twists, when they come, they don’t feel forced or rushed.

‘Widows’ is based on Lynda La Plante’s ITV series broadcast in the UK in the early 1980s. La Plante had previously written the peerless ‘Prime Suspect’ starring Helen Mirren which proved that ball-breaking women make compelling protagonists. Continue reading