Tag Archive: Whisperin’ & Hollerin’


SELLING MAPS AND ATLASES

The full merchandise selection.

The trailer for the new album (Beware And Be Grateful) by the arty Chicago quartet, Maps & Atlases is intriguing. Is this the shape of record promotions to come- highlighting the band’s postmodern attitude rather than pushing the actual music?

A brief snippet of one of the tracks (Remote And Dark Years) can be heard at the end, but most is taken up with a curious monologue by a guy who looks the worse for wear.

He tells of being witness to a car on fire on a bridge and “whoever was inside” jumping into the river below he describes the flames as a  “deep dark, like orange color – like a rotten pumpkin”  and being surprised that there was no news coverage of the event.

Did he witness aliens? Should we open an X-file? What does this tell us about a pop band?

If I were to attempt a deconstruction I would say that Maps & Atlases are presenting their music as existing in a zone beyond what the guy calls the “preset garbage” that you hear on the radio – in a roundabout way they  are telling us to trust own ears and not wait for some media endorsement.

The album is officially released by Fat Cat records on April 16th in the UK and one day later in the US – I have a review copy so have added my voice to the more traditional promotion at Whisperin’ & Hollerin’; the trailer is here:

DARE DUKES – THUGS AND CHINA DOLLS

I’ve just posted my review at Whisperin’ & Hollerin’ to the second album by Dare Dukes + The Blackstock Collection, Thugs & China Dolls which has been on repeat play for the past week.

This is one of those records which you hear once and think ‘This is quite nice’ and then on each subsequent hearing the adjective goes up a notch.

You could call it ‘a grower’ if you don’t mind sounding like a guest on Smashey and Nicey ‘s Fab FM. Continue reading

DANCING TO THE BLACK DOG

I’ve just reviewed Lisa Hannigan‘s ecellent new labum, Passenger for Whisperin’ & Hollerin’ which you can read here.

Her cover of Nick Drake‘s Black-Eyed Dog isn’t on it but it shows what a great interpreter of songs she is. Her version, from a performance at the Barbican in London,  manages to capture the bleak brilliance of the original whilst adding a spirited defiance to the depression that inspired it.

A DANCING BEGGAR

Photo of James Simmons (A Dancing Beggar) by Robin Parfitt

A Dancing Beggar is not a particularly auspicious stage name although it makes you think of someone making the most of a bad situation.

It turns out to be the solo project of Brighton based James Simmons who has wisely turned his back on run of the mill guitar-based indie-rock to produce “ambient and visual music”.

After one EP and one LP, he has just released an album with the great title Follow The Dark As If It Were Light.  I have just posted a review on Whisperin’ & Hollerin’ and you can get a brief flavour of this atmospheric work from the preview posted on Vimeo:

There’s no shortage of haunted drones and cinematic instrumental music around at the moment but this is definitely one that does its bit to help soothe troubled souls.

I’d also recommend clicking on a fine 10 track, 46 minute mix that James produced for Futuresequence of music that inspired him along the way.


Futuresequence Mix #2 – A Dancing Beggar by Futuresequence on Mixcloud

A Dancing Beggar’s Blogspot

BEWARE THE GREEK SEAMAN

I found an interesting  piece regarding an over the top reaction to an online book  review at the excellent Killed In Cars blog .

Killed in Cars is dedicated to independent / experimental music but the author rightly saw the issue of negative reviews as being one that is equally applicable to music reviewers.

As an unpaid writer for Whisperin’ & Hollerin’,  I have more than once been tempted to put a gloss on a CD rather than posting a more scathing write-up. However, on reflection, I decided it would be misleading to give a positive report on something I just didn’t like.

What I try to do is to be as constructive as possible when my opinion is not favourable and explain my reasons clearly and honestly.

Any intelligent reader should know that opinions are entirely relative and one man’s future of rock and roll is another’s derivative crap.

To date, I’ve only had one artist who took exception to what he saw as a pompous and needlessly sarcastic piece.

In a brief e-mail exchange I reaffirmed my opinion and sought  to clarify my point of view. In the end, we agreed to differ and he was quite civilised about it.

The same dignity is not shared by now infamous  Jacqueline Howett who responded in rabid style to a less than glowing review on Big Al’s Books and Pals to her novel The Greek Seaman.

Big Al  describes himself as “an avid reader for more decades than he wants to admit”  and he set up his blog to cover the surge of  independent (“indie”) authors available for e-readers, primarily Amazon’s Kindle, but also the Nook from Barnes and Noble.

You can read his review and the storm that followed here. Continue reading