Tag Archive: Tim Roth


TYRANNOSAUR Written and Directed by Paddy Considine (UK, 2011)

As part of my ongoing research into British films and national identity, I have just re-watched Paddy Considine’s Tyrannosaur (2011), one of a small but select sub-genre of films directed by well-known actors exposing the menace of toxic masculinity. Others are Gary Oldman’s Nil By Mouth (1997) and Tim Roth’s The War Zone (1999).

The working title of my book is Mirror Visions and will look at how British cinema has reflected and shaped national identity from the 1960s to the present day. The above three films will be included in a chapter entitled ‘Unbecoming Masculinity’.

Tyrannosaur was developed out of a 15 minute short  Dog Altogether (2007) whose stated aim was  “to start a film with a man kicking a dog to death, and  to try and get an audience to end up caring about him.”   This is a tall order and within this short time frame there’s little to indicate why this hate-filled, violent and destructive man should be deserving of our sympathy. One viewer on You Tube was unconvinced and commented  “Films like this should be banned, no wonder we’re in a sick world.”

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THE WANDERING NAZI JEW

 

THE BELIEVER directed by Henry Bean (2001)

the-believer-e1453813837189Ryan Gosling’s full-blooded performance as Daniel Balint made me think of two other on-screen neo-nazi skinheads :  Tim Roth in Alan Clarke’s Made In Britain (1982) and Edward Norton in Tony Kaye’s American History X (1998).

As with those characters he is lean, mean with fierce, but misguided, intelligence.

One of the aims of all these films is to show that to brand all extreme racists as thugs is simplistic and misleading.

In The Believer, Balint’s hatred of Judaism stems from what he regards as the religious abstraction. He believes Jews are too passive when faced with oppression. Having rejected the faith he was raised in, he seeks a more militant doctrine and this bizarrely leads him to anti-Semitism. We see him strutting about proudly wearing a red T-shirt with a swastika symbol and proclaiming an ambition to ‘kill a Jew’.

Balint is articulate and well-read, although in the company he keeps, even if he had scanned through a copy of  ‘Fascism For Dummies’ he might have been praised as an intellectual. Continue reading