Tag Archive: Smiths


MorrisseyWhat is up with Morrissey?

Recently he has cancelled more gigs than he’s played, is without a record contract and now comes news that his autobiography is not, after all, going to be published by Penguin.

Apparently, the book was due to hit the stores on September 16th,  a fact that frankly I find hard to believe as there are no review copies and there has been relatively very little hype.

All we have to prove that some writing exists (part of 600 pages) is a story The Bleak Moor Lies  which appeared  in The Dark Monarch: Magic & Modernity In British Art edited by Michael Bracewell, Martin Clark and Alun Rowlands (Tate Publishing). Continue reading

Part of an irregular series of bite-sized posts about 7″ singles I own – shameless nostalgia from the days of vinyl. (Search ‘Backtracking’ to collect the set!)

THE SMITHS – This Charming Man b/w Jeane (Rough Trade, 1983)

This Charming Man

The record sleeve of This Charming Man which uses a still frame of Jean Marais from Jean Cocteau's 1949 film Orphée.

I first heard This Charming Man playing on the radio in an Indian grocer’s shop in Tottenham. It was one of those epiphanic moments that I will probably  recall on my death bed. The freshness and sheer beauty of this most perfect of pop songs struck me immediately.

As John Peel once said, with most bands you know exactly what they have been listening to but The Smiths just seemed to materialise out of nowhere. There was nothing like them before and there has been nothing like them since.

Journalists still write articles wondering why Morrissey still has such adoring fans, which means they either weren’t around to be smitten by these early singles or simply have no taste.

Part of an irregular series of bite-sized posts about 7″ singles I own – shameless nostalgia from the days of vinyl. (Search ‘Backtracking’ to collect the set!)

THE SMITHS – Hand In Glove b/w Handsome Devil (Live)  (Rough Trade, 1985)

Hand in Glove

"The sun shines out of our behinds"

“There’s more the life than books, you know, but not much more”. As soon as I heard Morrissey sing this line from Handsome Devil, I knew that The Smiths were the band for me.

When you start describing the words to the band’s songs you quickly run out of superlatives. Most have at least half a dozen quotable lines and delivered in droll Mancunian tones with Johnny Marr’s inspired guitar backing there was no-one to touch them.  Imitators have come and gone since but nothing can compare to the original template.

Hand In Glove was their first single and I bought it a few days after buying This Charming Man. Every other single of their I got on 12″ on the week of release.

The cover shot and some lyrics (especially to Handsome Devil) have a fairly obvious homoerotic slant (“A boy in the bush is worth two in the hand”) but there is deliberate ambiguity too – “Let me get my hands on your mammary glands”.

No one was writing songs like this with the combination of foppish poetry and Northern plain talking. With Hand In Glove, The Smith arrived fully formed and pop music never sounded so vital.

LIFE ACCORDING TO MORRISSEY

“If you’ve got five seconds the spare, I’ll tell you the story of my life”  – The Smiths ( Half A Person).

It turns out we’re going to need more than five seconds to learn about the life of Morrissey.

Reports abound that the bard of Manchester is at the trimming stage of his autobiography which is due to be published some time in 2012.

He says that the draft version is currently of  epic door stop proportions, a whacking 600 pages which , even with some radical Carver-esque editing,  means that when complete it will amount to much more than a slim volume of glib anecdotes.

The consensus these days is that Morrissey has become a boring old fart whose rent-a-mouth comments for the press have become more than a little tiresome. In this respect, the media shows its usual hypocrisy in inviting quotes about  royalists, conservatives, carnivores or foreigners then feigning outrage (‘big mouth strikes again’) when he obliges with some ‘controversial’  sound bite. It may seem that when Morrissey opens his mouth to the press he puts his foot in it but he knows exactly what he is doing

Dishing the dirt on these critics who have (unsuccessfully) plotted his downfall will doubtless take up a fair amount of space in these memoirs, as he declared in his song ‘The more you ignore me the closer I get : “I bear more grudges than lonely high court judges”.

But apart from snipes and rants what else should we expect? Continue reading