Tag Archive: richard linklater


linklater

Richard Linklater

BEFORE SUNRISE (1995), BEFORE SUNSET (2004)

+ BEFORE MIDNIGHT (2013)  directed by Richard Linklater

There’s a fundamental difference between being older and acting older. This came out strongly in Richard Linklater’s ‘Boyhood’ and is also a strong feature of the characters of Jesse (Ethan Hawke) and Céline (Julie Delpy) in the director’s consistently marvelous ‘before’ trilogy.

What makes this such a mighty cinematic achievement is the absence of what I would call Hollywood moments. You know those scenes where couples break up and make up during a freak downpour or in a public place where the emotional (melo)drama is absurdly heightened.

Hawke and Delpy are so completely in their roles that there is never the sense that we are watching stars pretending to be ordinary. There is a genuine lack of artifice which makes their love story both romantic and moving without ever being cloying or sentimental. You don’t feel manipulated into taking sides. Continue reading

THE BRILLIANCE OF BOYHOOD

BOYHOOD directed by Richard Linklater (USA, 2014)

boyhood changes

"Don't grow up - it's a trap" - T-shirt slogan.
 "So be it when I shall grow old, / or let me die! /  The child is father of the man" - William Wordsworth - My Heart Leaps When I Behold (1802).

What a marvel of a movie this is!

12 years in the making, shooting for a few weeks each year, it follows the growing pains of Mason Jr from the age of 6 to 18. Over the course of 166 minutes, the movie shows this boy becoming a man through selected episodes that function in much the same way as memory does, through a gapped linear narrative.

Some reviewers have criticised Ellar Coltrane’s acting prowess which seems to me to miss the point of the project by a merry mile. To realise his role as Mason Jr, Coltrane is not required to get into character; he just needs to be himself. This means we see him as an ungainly, mumbling teenager and empathize with his discomfort as he reaches puberty. Linklater’s own daughter Lorelei plays his older sister and steals the show in the early scenes but it’s this boy’s life that takes centre stage. Continue reading

SLACKER directed by Richard Linklater (USA, 1991)

Two definitions from Urban Dictionary :
SLACKER – Someone who puts off doing things to the last minute, and when the last minutes comes, decides it wasn’t all that important anyways and forgets about it.

SLACKERS – a group of guys who like to hang out and do nothing.

Two typical conversations from ‘Slacker’, the movie:
Q – What’s up man?  A – Not much OR
Q – Hey, what’s going on? A – Nothing

‘Slacker’  follows the day in the life of a cast of youths in Austin, Texas who share the ability to turn idleness into an art form and who are content to spend their days “lolligagging around” or just vaguely hanging out.

One prefers to stay home rather than go out to the lake because he hates the idea of “premeditated fun”. Another can’t decide if he is remembering something that happened to him or whether he saw it on TV. Continue reading

AN AFTERTASTE OF THE FAST FOOD NATION

fast food nation

I can’t help thinking that the movie version of Eric Schlosser’s book Fast Food Nation is a missed opportunity. It’s a well made movie with fine ensemble cast but to my mind director Richard Linklater should have aimed it more at teenagers.

This, after all, is the consumer group whose stomachs and minds are subjected to relentless and skilled marketing of McDonalds and other fast food chains. Ashley Johnson (Amber)Casting Avril Lavigne in a cameo role as an animal rights/no-global activist suggests that Linklater did want to appeal to a younger audience but the slow moving pace and disjointed narrative is not lively enough to hold their attention (my 12 year old daughter – a vegetarian like me – stopped watching after half an hour).

The character of Amber (played by Ashley Johnson) and her McJob would have provided a much better focal point at the start of the movie. Instead the lengthy introduction showing to the sales strategies, production methods and exploitation of Mexican illegal aliens in the burger factory slows the movie down.

chew on this

I see that Schlosser has revised his original book to appeal to a to younger eaters (‘Chew On This’) – its only a shame that his contribution to the movie screenplay didn’t have the same objective.