Tag Archive: Orlando


Selling Film England By The Pound

Filed under: Books, Movies — Leave a comment
June 10, 2023

Film England : Culturally English Filmmaking Since The 1990s by Andrew Higson (Published by I.B. Taurus, 2011)

Andrew Higson is professor of film and television at the University of York in England.

His writings on British cinema are rightly praised for being illuminating and thorough. His excellent book ‘Waving The Flag’ examined how national cinema was constructed in Britain through  a detailed analyses of film texts from the early 1920s to the 1940s. With ‘Film England’ he updates this concept by examining UK film production in the 1990s and 2000s.  

Higson says that the tension “between the cultural dynamics of national cinema and the global economy of film production  is the defining characteristic of what I am exploring in this book.”

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Why Woolf Works works

Filed under: Fiction, Music, Poetry, Theatre — Leave a comment
February 11, 2017

woolfworksIt might seem an odd notion to base a dance performance on three novels by Virginia Woolf, but Wayne McGregor is a choreographer who makes his own rules. He proves that great prose can inspire and captivate in the same way that the rhythmic flow of lyrical poetry can.

Woolf Works was premiered to huge acclaim in 2015 and is divided into three sections: ‘I Now, I Then’ is based on the themes in Mrs Dalloway; ‘Becomings’ takes its cues from the surreal wit & vitality of Orlando and ‘Tuesday’ is inspired by The Waves, Woolf’s most experimental novel.

This final section is also named after the heading to the suicide note Woolf left for her husband. This letter, which begins “I feel certain that I’m going mad again”, is beautifully read by Gillian Anderson as a preface to the profoundly moving conclusion.

The revival of these pieces was a hot ticket at The Royal Opera House but has now reached a wider audience thanks to a live worldwide broadcast in over 1,500 cinemas and more than 35 countries on February 8th 2017. Continue reading →

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VIRGINIA WOOLF: A LIFE OF HEROISM

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June 14, 2015

VIRGINIA WOOLF biography by Hermione Lee (Vintage Books, 1996)

leeVirginia Woolf’s life story is one that is continually being re-evaluated. After all, it was fully  two decades after her suicide in 1941 before she began to be more widely acknowledged as a literary great and a feminist icon.

Even so, there are still far too many (mostly male) detractors who will routinely belittle the achievements of Woolf. Hermione Lee recalls that as a student she was taught to regard her as a “minor modernist”, not fit to be ranked alongside Joyce, T.S. Eliot or D.H. Lawrence.

She also recounts a revealing (and humorous) story of a St Ives bookseller who decided to take advantage of Woolf’s association with one of her former homes but only had a vague idea of who she was. He put up a sign which read : ‘Talland House. Home of Virginia Woolf, wife of the famous novelist”. Continue reading →

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MAKING WAVES WITH VIRGINIA WOOLF

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October 18, 2014

THE WAVES by Virginia Woolf (First published by The Hogarth Press, 1931)

thewavesIn her 1928 essay Women & Fiction, Virginia Woolf wrote that she hoped a time would come when novels would “cease to become a dumping ground for personal emotions” and in her diaries at around the same time she expressed the desire to be rid of “the appalling narrative business of the realists : getting us from lunch to dinner”.

These quotes show how Woolf had at this point become totally bored by the relatively conventional structure of popular fiction. She believed that the linear plotlines of contemporary novels were irreversibly flawed in that they bore little or no relation to how we actually conduct our daily lives.

Embracing the Modernist cause, she developed more of an interest in the darker psychology traits of her characters which led to her becoming less and less concerned with describing their actions, interactions and appearance.

This was evident in her masterpieces Mrs Dalloway (1925) and To The Lighthouse (1927) but The Waves represents her most fully realised attempt to deconstruct the novel. It has no recognisable story and the voices of six characters in search of a plot morph into each other in such a way that it’s hard to tell them apart. Continue reading →

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