Tag Archive: Johnny Rotten


Part of an irregular series of bite-sized posts about 7″ singles I own – shameless nostalgia from the days of vinyl. (Search ‘Backtracking’ to collect the set!)

THE SEX PISTOLS – Anarchy In The UK b/w I Wanna Be Me (EMI, 1976)

“It happens. you feel alien. You are other. Nothing in your culture, in your experience gets near what you feel. You want to be elsewhere. If you can’t be elsewhere, you want to see everything brought down. These thoughts explode in your head. You can’t sleep, you grind your teeth. You get migraines. You shake.
Then you walk into a room. You see or hear four people making a noise, playing the limits of electricity and the room’s ambient space: like a switch tripping, your life is changed forever. Out of nowhere, the terrain is cleared and the possibilities stretch before you.
This will happen only once, with that certainty”.

These lines are part of the sleeve notes by Jon Savage to Lipstick Traces, a compilation CD designed to be played alongside the book of the same name by Greil Marcus.

The four people in the room making the racket almost certain refers to The Sex Pistols. No other band, not even The Clash, had that effect

Without the single Anarchy In The UK, Marcus’ secret history of the 20th century would not have been written.

Without this record, and Johnny Rotten in particular, countless bands would have remained unformed and postwar popular culture might have continued on a downward spiral.

I might still be listening to albums like Tales From Topographic Oceans or Brain Salad Surgery.

It is hard to imagine, and as the years pass, it gets harder and harder to convince other people what an impact this record had.

Marcus notes Rotten’s demonic laugh and insolent way he not so much sang as hurled the lines into the world and writes of “a voice that denied all social facts, and in that denial affirmed that everything was possible”. Continue reading

BACKTRACKING #18 : THE KILLJOYS

Part of an irregular series of bite-sized posts about 7″ singles I own – shameless nostalgia from the days of vinyl. (Search ‘Backtracking’ to collect the set!)

THE KILLJOYS – Johnny Won’t Get To Heaven b/w Naive (Raw Records, 1977)

Kevin Rowland was never a convincing punk rocker although this is one of the best singles from 1977. It was the band’s one and only official release. “The main thing I learned from The Killjoys was how not to do it”, he later reflected

Rowland started his musical career with Lucy And The Lovers, a Roxy Music influenced band I have never knowingly heard. The tidal wave of Punk Rock forced a rethink and The Killjoys were born. Continue reading

STARING AT THE WALL

Today I spent two hours staring at  The Wall.

I watched Alan Parker’s 1985 film of Pink Floyd’s concept album.

Probably it  would be more accurate to call it Roger Waters’ concept album since by this time Pink Floyd had ceased to be a band and had become a vehicle for his bloated ego.

It is fitting that another bloated ego, Bob Geldof,  was chosen to play the part of Pink in the movie.

He plays a burnt out rock star going slowly nuts in a hotel. Even the carpets outside the room have rectangular brick-like patterns to emphasise his feelings of mental enslavement.

Pink shaves his eyebrows, drives his wife away, mopes about his lonely childhood, trashes his room, becomes a fascist dictator and winds up heavily sedated in a loony bin. Continue reading

PUNKS : PAST AND PRESENT

Malcolm McLaren RIP

Punk has always been as much about the spirit as the music – a state of mind, an attitude that you recognise as soon as you see or hear it.

Malcom McLaren was a master manipulator of others who had this Punk spirit – notably Johnny Rotten & Vivienne Westwood – but, personally, I would argue that he was not a bona fide Punk. I see him more as an entertainer – a Svengali-like attention grabber; a Warhol-like self publicist with an ego to match .

His slippery personality means that when you start talking in terms of integrity or honesty his reputation begins to become a little tarnished. Nevertheless, you can’t ignore the fact that, but for him, there would have been no Sex Pistols. His place in history is assured.

On the day he died, Anarchy In The UK was played on the radio both going and returning from a concert in Bologna by present day carriers of the flame, A Silver Mount Zion (SMZ) from Canada. Continue reading