Tag Archive: disco music


DAVID BOWIE AND THE 1970s

THE MAN WHO SOLD THE WORLD  by Peter Doggett (The Bodley Head, 2011)

One of the greatest books on contemporary rock is Revolution In The Head by Ian MacDonald. Subtitled The Beatles’ Records And The Sixties, this illuminating song by song guide to everything the Fab Four recorded is worth buying for the introductory essay alone – ‘Fabled Foursome, Disappearing Decade’. In the space of just 34 pages, MacDonald puts the monumental achievements and legacy of The Beatles into lucid perspective and recognises that we will never see their like again. The way music is made, promoted and consumed has changed beyond all recognition since the heady days of the 60s so the cultural impact the four young men from Liverpool had is unrepeatable.

MacDonald was commissioned to write a similar book on David Bowie but sadly the project floundered n 2003, when he killed himself after a long period of clinical depression. The mantle has passed to Peter Doggett who has himself written a critically praised book on the Beatles, You Never Give Me You Money, which focused on the band’s break up and immediate aftermath.

In his introduction, Doggett admits that Revolution In The Head was the model for his book although the format is not entirely the same and it has to be said that it’s nowhere near as good.

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THESE ARE ALL PROTEST SONGS

33 Revolutions Per Minute – A History of Protest Songs by Dorian Lynskey (Faber and Faber, 2010)

This is an ambitious, well researched and highly informative historical study of a strand of popular music that seems to be largely on the wane.

Nowadays, there are fewer and fewer artists willing to align themselves to political causes or identify themselves as protest singers.

There are notable exceptions like Billy Bragg or Steve Earle but there aren’t too many under 30 who take rebellion beyond the predictable statements of teenage angst or broad criticisms towards some vaguely defined authority.

Even on her magnificent anti-war album Let England Shake, PJ Harvey is careful to present her sentiments in emotional rather than political terms.  Intelligent artists like Polly J are all too aware of the risk of being seen to be lecturing listeners; as Lynskey correctly observes  “the biggest problem with protest songs is that they engender smugness”. Continue reading